blest law of youth and fancy withal one did admire the actress--the
young need to admire as flatly as one could broke through all crowding
apprehensions. I like to put it down that nothing in the world qualified
my wonder at the rendering by the first of the performers I have named
of the figure of "Fanchon the Cricket" in a piece so entitled, an
artless translation from a German original, if I rightly remember, which
original had been an arrangement for the stage of La Petite Fadette,
George Sand's charming rustic idyll. I like to put it down that Miss
Maggie Mitchell's having for years, as I gathered, twanged that one
string and none other; every night of her theatric life, over the huge
country, before she was revealed to us--just as Mr. Joe Jefferson, with
no word of audible reprehension ever once addressed to him, was to have
twanged his--did nothing to bedim the brightness of our vision or the
apparent freshness of her art, and that above all it seemed a privilege
critically to disengage the delicacy of this art and the rare effect of
the natural in it from the baseness in which it was framed: so golden a
glimmer is shed, as one looks back, from any shaky little torch lighted,
by whatever fond stretch, at the high esthetic flame. Upon these faint
sparks in the night of time would I gently breathe, just to see them
again distinguishably glow, rather than leave their momentary function
uncommemorated. Strange doubtless were some of the things that
represented these momentary functions--strange I mean in proportion to
the fires they lighted. The small bower of the muse in Winthrop Square
was first to know the fluttered descent of the goddess to my appeal for
her aid in the composition of a letter from which the admired Miss
Maggie should gather the full force of my impression. Particularly do I
incline even now to mention that she testified to her having gratefully
gathered it by the despatch to me in return of a little printed copy of
the play, a scant pamphlet of "acting edition" humility, addressed in a
hand which assumed a romantic cast as soon as I had bethought myself of
finding for it a happy precedent in that of Pendennis's Miss
Fotheringay.
Public-domain text, read in full here on John Shaqi.
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