I see before me, in the rich,
the many-hued light of my room that overhung dear Ashburton Place from
our third floor, the very greenbacks, to the total value of twelve
dollars, into which I had changed the cheque representing my first
earned wage. I had earned it, I couldn't but feel, with fabulous
felicity: a circumstance so strangely mixed with the fact that literary
composition of a high order had, at that very table where the greenbacks
were spread out, quite viciously declined, and with the air of its being
also once for all, to "come" on any save its own essential terms, which
it seemed to distinguish in the most invidious manner conceivable from
mine. It was to insist through all my course on this distinction, and
sordid gain thereby never again to seem so easy as in that prime
handling of my fee. Other guerdons, of the same queer, the same often
rather greasy, complexion followed; for what had I done, to the
accompaniment of a thrill the most ineffable, an agitation that, as I
recapture it, affects me as never exceeded in all my life for fineness,
but go one beautiful morning out to Shady Hill at Cambridge and there
drink to the lees the offered cup of editorial sweetness?--none ever
again to be more delicately mixed. I had addressed in trembling hope my
first fond attempt at literary criticism to Charles Eliot Norton, who
had lately, and with the highest, brightest competence, come to the
rescue of the North American Review, submerged in a stale tradition and
gasping for life, and he had not only published it in his very next
number--the interval for me of breathless brevity--but had expressed the
liveliest further hospitality, the gage of which was thus at once his
welcome to me at home. I was to grow fond of regarding as a positive
consecration to letters that half-hour in the long library at Shady
Hill, where the winter sunshine touched serene book-shelves and arrayed
pictures, the whole embrowned composition of objects in my view, with I
knew not what golden light of promise, what assurance of things to come:
there was to be nothing exactly like it later on--the conditions of
perfect rightness for a certain fresh felicity, certain decisive
pressures of the spring, _can_ occur, it would seem, but once. This was
on the other hand the beginning of so many intentions that it mattered
little if the particular occasion was not repeated; for what did I do
again and again, through all the years, but handle in plenty what I
might have called the small change of it?
Public-domain text, read in full here on John Shaqi.
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