immensities, defiant of vulgar notation, in Charles Street, at the
opposite end from Beacon. The fruit of these mixed proceedings I found
abundant at the time, and I think quite inveterately sweet, but to
gather it in again now--by which I mean set it forth as a banquet for
imaginations already provided--would be to presume too far; not least
indeed even on my own cultivated art of exhibition. The fruit of golden
youth is all and always golden--it touches to gold what it gathers; this
was so the essence of the case that in the first place everything was in
some degree an adventure, and in the second any differences of degree
guiding my selection would be imperceptible at this end of time to the
cold eye of criticism. Not least moreover in the third place the very
terms would fail, under whatever ingenuity, for my really justifying so
bland an account of the period at large. Do I speak of it as a thumping
sum but to show it in the small change, the handful of separate copper
and silver coin, the scattered occasions reduced to their individual
cash value, that, spread upon the table as a treasure of reminiscence,
might only excite derision? _Why_ was "staying at Newport" so absurdly,
insistently romantic, romantic out of all proportion, as we say--why
unless I can truly tell in proportion to what it became so? It consisted
often in my "sitting" to John La Farge, within his own precincts and in
the open air of attenuated summer days, and lounging thereby just
passive to the surge of culture that broke upon me in waves the most
desultory and disjointed, it was true, but to an absolute effect of
unceasingly scented spray. Particular hours and old (that is young!)
ineffable reactions come back to me; it's like putting one's ear,
doctor-fashion, to the breast of time--or say as the subtle savage puts
his to the ground--and catching at its start some vibratory hum that has
been going on more or less for the fifty years since. Newport, the
barren isle of our return from Europe, had thus become--and at no such
great expense if the shock of public affairs, everywhere making
interests start to their feet, be counted out of the process--a source
of fifty suggestions to me; which it would have been much less,
however, I hasten to add, if the call of La Farge hadn't worked in with
our other most standing attraction, and this in turn hadn't practically
been part of the positive affluence of certain elements of spectacle.
Why again I should have been able to see the pictorial so freely
suggested, that pictorial which was ever for me the dramatic, the
social, the effectively human aspect, would be doubtless a baffling
inquiry in presence of the queer and dear old phenomena themselves;
those that, taken together, may be described at the best, I suppose,
rather as a much-mixed grope or halting struggle, call it even a
competitive scramble, toward the larger, the ideal elegance, the
traditional forms of good society in possession, than as a presentation
Public-domain text, read in full here on John Shaqi.
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