humour or extreme strangeness of the thing, the rare indebtedness,
calculated by the long run, in which it could leave particular cases!
This necessity I was under that everything should be interesting--for
fear of the collapse otherwise of one's sustaining intention--would have
confessed doubtless to a closest connection, of all the connections,
with the small inkpot in which I seemed at last definitely destined to
dip to the exclusion of any stream more Pactolean: a modest manner of
saying that difficulty and slowness of composition were clearly by this
time not in the least appointed to blight me, however inveterate they
were likely to prove; that production, such as it was, floundered on in
spite of them; and that, to put it frankly, if I enjoyed as much company
as I have said no small part of it was of my very own earning. The
freshness of first creations--since we are exalted, in art, to these
arrogant expressions--never fails, I take it, to beguile the creator, in
default of any other victim, even to the last extravagance; so that what
happened was that one found all the swarm of one's intentions, one's
projected images, quite "good enough" to mix with the rest of one's
society, setting up with it terms of interpenetration, an admirable
commerce of borrowing and lending, taking and giving, not to say
stealing and keeping. Did it verily _all_, this freshness of felt
contact, of curiosity and wonder, come back perhaps to certain small and
relatively ridiculous achievements of "production" as aforesaid?--ridiculous
causes, I mean, of such prodigious effects. I am divided between the
shame on the one hand of claiming for them, these concocted "short
stories," that they played so great a part, and a downright admiring
tenderness on the other for their holding up their stiff little heads in
such a bustle of life and traffic of affairs. I of course really and
truly cared for them, as we say, more than for aught else
whatever--cared for them with that kind of care, infatuated though it
may seem, that makes it bliss for the fond votary never to so much as
speak of the loved object, makes it a refinement of piety to perform his
rites under cover of a perfect freedom of mind as to everything _but_
them. These secrets of the imaginative life were in fact more various
than I may dream of trying to tell; they referred to actual concretions
of existence as well as to the supposititious; the joy of life indeed,
drawbacks and all, was just in the constant quick flit of association,
to and fro, and through a hundred open doors, between the two great
chambers (if it be not absurd, or even base, to separate them) of direct
and indirect experience. If it is of the great comprehensive _fusion_
that I speak as the richest note of all those hours, what could truly
have been more in the sense of it than exactly such a perfect muddle of
pleasure for instance as my having (and, as I seem to remember, at his
Public-domain text, read in full here on John Shaqi.
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