bristle with precious images and every form of local character--this a
little perhaps because of his treating us first of all to a pair of
whimsical crayoned views of certain animated housetops seen from his
window. It is the old names in the old letters, however, that now always
most rewrite themselves to my eyes in colour--shades alas that defy
plain notation, and if the two with which the following begins, and
especially the first of them, only asked me to tell their story I but
turn my back on the whole company of which they are part.
...I got last week an excellent letter from Frank Washburn who
writes in such a manly way. But the greatest delight I've had was
the loan of 5 Weekly Transcripts from Dick Derby. It's strange how
quickly one grows away from one's old surroundings. I never should
have believed that in so few months the tone of a Boston paper
would seem so outlandish to me. As it was, I was in one squeal of
amusement, surprise and satisfaction until deep in the night, when
I went to bed tired out with patriotism. The boisterous animal
good-humour, familiarity, reckless energy and self-confidence,
unprincipled optimism, esthetic saplessness and intellectual
imbecility, made a mixture hard to characterise, but totally
different from the tone of things here and, as the Germans would
say, whose "Existenz so voellig dasteht," that there was nothing to
do but to let yourself feel it. The Americans themselves here too
amuse me much; they have such a hungry, restless look and seem so
unhooked somehow from the general framework. The other afternoon as
I was sitting on the Terrace, a gentleman and two young ladies came
and sat down quite near me. I knew them for Americans at a glance,
and the man interested me by his exceedingly American expression: a
reddish moustache and tuft on chin, a powerful nose, a small light
eye, half insolent and _all_ sagacious, and a sort of rowdy air of
superiority that made me proud to claim him as a brother. In a few
minutes I recognised him as General M'Clellan, rather different
from his photographs of the War-time, but still not to be mistaken
(and I afterwards learned he is here). Whatever his faults may be
that of not being "one of us" is not among them.
This next is the note of a slightly earlier impression.
Public-domain text, read in full here on John Shaqi.
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