The presence of the Tweedys has been most agreeable and has contributed in no small degree to break the shock of removal to these new rooms, which are not near so cosy as the old; especially with the smoking of my stove, which went on all the first two days. That has been stopped, however, and the only trouble is now to get the fire alight at all. I have generally to start it 3 or 4 times, and the removal of the material of each failure from the grate is a fearful business. I have also to descend to the cellar myself to get my coal, and my "hod," as Ma Sweetser, my land-lady, calls it, not being very much bigger than a milk-pitcher, doesn't add to the charm. The coal is apt to drop on the stairs, and I have to pick it all up. At present the stove fills the room with a nephitic and pestilential gas, so that I have to keep the window open. I went last night with the Tweedys to the concert for which they came up, and with them this morning to hear Wendell Phillips. This Sweetser family is worthy of Dickens. It consists of a Mr. and Miss S., Mr. S.'s three gushing girls, a parrot and a maniac. The maniac is very obstreperous. Her husband left her boarding here 3 months ago and went to Cuba. When she got mad he was written to, but has sent no reply, and they are keeping her. For the Aunt's sake I keep my drawer locked against her at night. Old Sweetser is a riddle I hope to do justice to at some future time, but can't begin on now. His sister shakes like an aspen whenever she is spoken to. Oh I forgot the most important character of all, the black wench who "does" the room. She is about 20 years old and wears short frocks, but talks like Alice Robeson and has an antediluvian face about as large as the top of a flour-barrel. I can really keep my hand from nothing, of whatever connection, that causes his intensity of animation and spontaneity of expression to revive. On a Sunday evening early in 1862 he had