Notes on Novelists, with Some Other NotesJames, Henry
History
Notes on Novelists, with Some Other Notes
James, Henry
Fiction -- History and criticism; Novelists
I insist upon this because his at once excited and baffled passion gives
the key of his life and determines its outline. I must speak of him at
least as I feel him and as in his very latest years I had the fortune
occasionally to see him. I said just now, practically, that he is for
many of our tribe at large _the_ novelist, intent and typical, and so,
gathered together and foreshortened, simplified and fixed, the lapse of
time seems to show him. It has made him in his prolonged posture
extraordinarily objective, made him even resemble one of his own
productions, constituted him as a subject, determined him as a figure;
the limit of his range, and above all of his reach, is after this
fashion, no doubt, sufficiently indicated, and yet perhaps in the event
without injury to his name. If our consideration of him cultivates a
certain tenderness on the double ground that he suffered supremely in
the cause and that there is endlessly much to be learned from him, we
remember at the same time that, indirectly, the world at large possesses
him not less than the _confrère_. He has fed and fertilised, has
filtered through others, and so arrived at contact with that public from
whom it was his theory that he was separated by a deep and impassable
trench, the labour of his own spade. He is none the less more
interesting, I repeat, as a failure however qualified than as a success
however explained, and it is as so viewed that the unity of his career
attaches and admonishes. Save in some degree by a condition of health (a
liability to epileptic fits at times frequent, but never so frequent as
to have been generally suspected,) he was not outwardly hampered as the
tribe of men of letters goes—an anxious brotherhood at the best; yet
the fewest possible things appear to have ever succeeded in happening to
him. The only son of an eminent provincial physician, he inherited a
modest ease and no other incumbrance than, as was the case for Balzac,
an over-attentive, an importunate mother; but freedom spoke to him from
behind a veil, and when we have mentioned the few apparent facts of
experience that make up his landmarks over and beyond his interspaced
publications we shall have completed his biography. Tall, strong,
striking, he caused his friends to admire in him the elder, the florid
Norman type, and he seems himself, as a man of imagination, to have
found some transmission of race in his stature and presence, his
light-coloured salient eyes and long tawny moustache.
Public-domain text, read in full here on John Shaqi.
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