Notes on the book of NumbersMackintosh, Charles Henry
Religion
Notes on the book of Numbers
Mackintosh, Charles Henry
Bible. Numbers -- Commentaries
This is a great practical truth for all Christians. The very finest
evidence which can be afforded of true spiritual work is, that it tends
directly to exalt Christ. If attention be sought for the work or the
workman, the light has become dim, and the Minister of the sanctuary
must use the snuffers. It was Aaron’s province to light the lamps, and
he it was who trimmed them likewise. In other words, the light which, as
Christians, we are responsible to yield, is not only founded upon Christ,
but maintained by Him, from moment to moment, throughout the entire
night. Apart from Him we can do nothing. The golden shaft sustained the
lamps; the priestly hand supplied the oil and applied the snuffers. It is
all _in_ Christ, _from_ Christ, and _by_ Christ.
And more, it is all _to_ Christ. Wherever the light of the Spirit—the
true light of the sanctuary—has shone in this wilderness world, the
object of that light has been to exalt the name of Jesus. Whatever has
been done by the Holy Ghost, whatever has been said, whatever has been
written, has had for its aim the glory of that blessed One; and we may
say with confidence, that whatever has not that tendency—that aim, is
not of the Holy Ghost, be it what it may. There may be an immense amount
of work done, a great deal of apparent result reached, a quantity of
that which is calculated to attract human attention, and elicit human
applause, and yet not one ray of light from the golden candlestick. And
why? Because attention is _sought_ for the work, or for those engaged
in it. _Man_ and his doings and sayings are exalted, instead of Christ.
The light has not been produced by the oil which the hand of the great
High-Priest supplies; and, as a consequence, it is false light,—it is a
light which shines not over against the candlestick, but over against the
name or the actings of some poor mortal.
Public-domain text, read in full here on John Shaqi.
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