Notes on the New Testament, Explanatory and Practical: RevelationBarnes, Albert
Religion
Notes on the New Testament, Explanatory and Practical: Revelation
Barnes, Albert
Bible. New Testament -- Commentaries; Bible. Revelation -- Commentaries
supposition the representation would be that, as the successive seals
were broken, nothing was disclosed in the volume but a succession
of blank portions, and that the mystery or the difficulty was not
in anything in the volume, but in the want of ability to summon
forth these successive scenic representations. The most obvious
interpretation is, undoubtedly, that what John proceeds to describe
was in some way represented in the volume; and {138} the idea of
a succession of pictures or drawings better accords with the whole
representation, than the idea that it was a mere written description.
In fact, these successive scenes could be well represented now in a
pictorial form on a scroll. ¶ _And behold a white horse._ In order to
any definite understanding of what was denoted by these symbols, it
is proper to form in our minds, in the first place, a clear conception
of what the symbol properly represents, or an idea of what it would
naturally convey. It may be assumed that the symbol was significant,
and that there was some reason why that was used rather than another;
why, for instance, a _horse_ was employed rather than an eagle or
a lion; why a _white_ horse was employed in one case, and a red one,
a black one, a pale one in the others; why in this case a bow was in
the hand of the rider, and a crown was placed on his head. Each one
of these particulars enters into the constitution of the symbol; and
we must find something in the event which _fairly_ corresponds with
each――for the symbol is made up of all these things grouped together.
It may be farther observed, that where the general symbol is the
same――as in the opening of the first four seals――it may be assumed
that the same object or class of objects is referred to; and the
_particular_ things denoted, or the diversity in the general
application, is to be found in the _variety_ in the representation――the
colour, &c., of the horse, and the arms, apparel, &c., of the rider.
The specifications under the first seal are four: (1) the general
symbol of the horse――common to the first four seals; (2) the colour
of the horse; (3) the fact that he that sat on him had a bow; and
(4) that a crown was given him by some one, as indicative of victory.
The question now is, what these symbols would naturally denote.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account