Notes on the New Testament, Explanatory and Practical: RevelationBarnes, Albert
Religion
Notes on the New Testament, Explanatory and Practical: Revelation
Barnes, Albert
Bible. New Testament -- Commentaries; Bible. Revelation -- Commentaries
{139} In reference to this circumstance Justin (lib. xviii. 5)
remarks, that “in laying the foundations of the city the head of an ox
was found, which was regarded as an emblem of a fruitful land, but of
the necessity of labour and of dependence; on which account the city
was transferred to another place. Then the head of a horse was found,
and this was regarded as a happy omen that the city would be warlike
and prosperous.” Comp. Creuzer, _Symbolik_, vol. ii. p. 456. (c) The
horse was an emblem of _fleetness_, and, consequently, of the rapidity
of conquest. Comp. Joel ii. 4: “The appearance of them is as the
appearance of horses; and as horsemen, so shall they run.” Je. iv. 13:
“Behold, he shall come up as clouds, and his chariots shall be as the
whirlwind; his horses are swifter than eagles.” Compare Job xxxix. 18.
(d) The horse is an emblem of strength, and consequently of safety.
Ps. cxlvii. 10: “He delighteth not in the strength of the horse.” In
general, then, the horse would properly symbolize war, conquest, or
the rapidity with which a message is conveyed. The particular character
or complexion of the event――as peaceful or warlike, prosperous or
adverse――is denoted by the colour of the horse, and by the character
of the rider.
(2) The colour of the horse: _a white horse_. It is evident that this
is designed to be significant, because it is distinguished from the red,
the black, and the pale horse, referred to in the following verses. In
general, it may be observed that _white_ is the emblem of innocence,
purity, prosperity――as the opposite is of sickness, sin, calamity. If
the significance of the emblem turned alone on the _colour_, we should
look to something cheerful, prosperous, happy as the thing that was
symbolized. But the significance in the case is to be found not only in
the colour――_white_――but in the horse that was white; and the inquiry
is, what would _a horse of that colour_ properly denote; that is,
on what occasions, and with reference to what ends, was such a horse
used? Now, the general notion attached to the mention of a white horse,
according to ancient usage, would be that of state and triumph, derived
from the fact that white horses were rode by conquerors on the days of
their triumph; that they were used in the marriage cavalcade; that they
were employed on coronation occasions, &c. In the triumphs granted by
the Romans to their victorious generals, after a procession composed of
musicians, captured princes, spoils of battle, &c., came the conqueror
himself, seated on a high chariot drawn by four white horses, robed
in purple, and wearing a wreath of laurel (Eschenburg, _Man. of Class.
Literature_, p. 283. Comp. Ovid _de Arte Amandi_, lib. v. 214). The
name of λεύκιππος――_leucippos_――was given to Proserpine, because she
was borne from Hades to Olympus in a chariot drawn by white horses
(_Scol. Pind. Ol._ vi. 161. See Creuzer’s _Symbol._ iv. 253). White
horses are supposed, also, to excel others in fleetness.
Public-domain text, read in full here on John Shaqi.
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