(d) Before proceeding to notice what seems to me to be the interpretation which best accords with all the circumstances of the symbol, it may be proper to refer to the only other one which has any plausibility, and which is adopted by Grotius, by the author of _Hyponoia_, by Dr. Keith (_Signs of the Times_, i. 181, seq.), by Mr. Lord, and others, that this refers to Christ and his church――to Christ and his ministers in spreading the gospel. The objections to this class of interpretations seem to me to be insuperable: (1) The whole description, so far as it is a representation of triumph, is a representation of the triumph of war, not of the gospel of peace. All the symbols in the opening of the first four seals are warlike; all the consequences in the opening of each of the seals where the horseman appears, are such as are usually connected with war. It is the march of empire, the movement of military power. (2) A horseman thus armed is not the usual representation of Christ, much less of his ministers or of his church. Once indeed (ch. xix. 14‒16) Christ himself is thus represented; but the ordinary representation of the Saviour in this book is either that of a man――majestic and glorious, holding the stars in his right hand――or of a lamb. Besides, if it _were_ the design of the emblem to refer to Christ, it must be a representation of him _personally_ and _literally_ going forth in this manner; for it would be incongruous to suppose that this relates to him, and then to give it a metaphorical application, referring it not to himself, but to his truth, his gospel, his ministers. (3) If there is little probability that this refers to Christ, there is still less that it refers to ministers of the gospel――as held by Lord and others――for such a symbol is employed nowhere else to represent an order of ministers, nor do the circumstances find a fulfilment in them. The minister of the gospel is a herald of peace, and is employed in the service of the Prince of Peace. He cannot well be represented by a warrior, nor is he in the Scriptures. In itself considered, there is nothing more unlike or incongruous than a warrior going forth to conquest with hostile arms, and a minister of Christ. (4) Besides, this representation of a horse and his rider, when applied in the following verses, on this principle becomes most forced and unnatural. If the warrior on the white horse denotes the ministry, then the warrior on the red horse, the black horse, the pale horse, must denote the ministry also, and nothing is more fanciful and arbitrary than to attempt to apply these to teachers of various kinds of error――error denoted by the red, black, and pale colour――as must be done on that supposition. It seems plain, therefore, to me, that the representation was not designed to symbolize the ministry, or the state of the church considered with reference to its extension, or the various forms of belief which prevailed. But if so,