Notes to Shakespeare — Volume 01: ComediesJohnson, Samuel
General
Notes to Shakespeare — Volume 01: Comedies
Johnson, Samuel
Shakespeare, William, 1564-1616 -- Criticism and interpretation
IV.ii.68 (232,1) [Nay, I am for all waters] I rather think this expression
borrowed from sportsmen, and relating to the qualifications
of a complete spaniel.
IV.ii.99 (233,2) [They have here property'd me] They have taken possession
of me as of a man unable to look to himself.
IV.ii.107 (233,3) [Maintain no words with him] Here the Clown in the
dark acts two persons, and counterfeits, by variation of voice, a
dialogue between himself and Sir Topas.--_I Will, sir, I Will_. is
spoken after a pause, as if, in the mean time, Sir Topas had whispered.
IV.ii.121 (234,4) [tell me true, are you not mad, indeed, or do you
but counterfeit?] If he was not mad, what did be counterfeit by
declaring that he was not mad? The fool, who meant to insult him,
I think, asks, _are you mad, or do you but counterfeit_? That is,
_you look like a madman, you talk like a madman_: _Is your madness
real, or have you any secret design in it_? This, to a man in poor
Malvolio's state, was a severe taunt.
IV.ii.134 (234,5) [like to the old vice] _Vice_ was the fool of the old
moralities. Some traces of this character are still preserved in
puppet-shows, and by country mummers.
IV.ii.141 (235.6)_'Adieu, goodman devil_] This last line has neither
rhime nor meaning. I cannot but suspect that the fool translates
Malvolio's name, and says,
_Adieu, goodman mean-evil_. (1773)
IV.iii.12 (236,8) [all instance, all discourse] _Instance_ is _example_.
(see 1765, II,433,9)
IV.iii.15 (236,9) [To any other trust] To any other belief, or confidence,
to any other fixed opinion.
IV.iii.29 (236,1) [Whiles] Is _until_. This word is still so used in
the northern counties. It is, I think, used in this sense in the
preface to the Accidence.
IV.iii.33 (237,2) [And, having sworn truth, ever will be true]
_Truth_ is _fidelity_.
V.i.23 (238,3) [so that, conclusions to be as kisses, if your four
negatives make your two affirmatives, why, then the worse for my
friends, and the better for my foes] Though I do not discover much
ratiocination in the Clown's discourse, yet, methinks, I can find
some glimpse of a meaning in his observation, that _the conclusion
is as kisses_. For, says he, _if four negatives make two affirmatives,
the conclusion is as kisses_; that is, the conclusion follows
by the conjunction of two negatives, which, by _kissing_ and
embracing, coalesce into one, and make an affirmative. What the
_four_ negatives are I do not know. I read, _So that conclusions be
as kisses_.
V.i.42 (239,4) [bells of St. Bennet] When in this play he mentioned
the _bed of_ Ware, he recollected that the scene was in Illyria,
and added _in England_; but his sense of the same impropriety
could not restrain him from the bells of St. Bennet.
V.i.67 (240,5) [desperate of shame, and state] Unattentive to his
character or his condition, like a desperate man.
Public-domain text, read in full here on John Shaqi.
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