Notes to Shakespeare, Volume III: The TragediesJohnson, Samuel
General
Notes to Shakespeare, Volume III: The Tragedies
Johnson, Samuel
Shakespeare, William, 1564-1616 -- Criticism and interpretation
"So frown'd the mighty combatants, that hell
Grew darker at their frown."--
II.iv.170 (386,4) To fall, and blast her pride!] Thus the quarto: the
folio reads not so well, _to fall and blister_. I think there is still a
fault, which may be easily mended by changing a letter:
--Infect her beauty,
Ye fen-suck'd fogs, drawn by the powerful sun,
_Do_, fall, and blast her pride!
II.iv.174 (387.6) Thy tender-hested nature shall not give/Thee o'er to
harshness] This word, though its general meaning be plain, I do not
critically understand.
II.iv.178 (387,7) to scant my sizes] To contract my allowances or
proportions settled.
II.iv.203 (388,9) much less advancement] The word _advancement_ is
ironically used here for _conspicuousness_ of punishment; as we now say,
_a man is advanced to the pillory_. We should read,
--but his own disorders
Deserv'd much _more_ advancement.
II.iv.204 (388,1) I pray you, father, being weak, seem so] [W: deem't
so] The meaning is, since _you are weak_, be content to think yourself
weak. No change is needed.
II.iv.218 (389,3) base life] i.e. In a _servile_ state.
II.iv.227 (390,5) embossed carbuncle] _Embossed_ is _swelling,
protuberant_.
II.iv.259 (391,6) Those wicked creatures yet do look well-favour'd:/
When others are more wicked] Dr. Warburton would exchange the repeated
epithet _wicked_ into _wrinkled_ in both places. The commentator's only
objection to the lines as they now stand, is the discrepancy of the
metaphor, the want of opposition between _wicked_ and _well-favoured_.
But he might have remembered what he says in his own preface concerning
_mixed modes_. Shakespeare, whose mind was more intent upon notions than
words, had in his thoughts the pulchritude of virtue, and the deformity
of wickedness; and though he had mentioned _wickedness_, made the
correlative answer to _deformity_.
III.i.7 (394,1) That things might change, or cease: tears his white
hair] The first folio ends the speech at _change, or cease_, and begins
again with Kent's question, _But who is with him?_ The whole speech is
forcible, but too long for the occasion, and properly retrenched.
III.i.18 (395,3) my note] My observation of your character.
III.i.29 (395,6) _are but furnishings_] _Furnishings_ are what we now
call _colours, external pretences_. (1773)
III.i.19 (395,8)
Public-domain text, read in full here on John Shaqi.
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