Notes to Shakespeare, Volume III: The TragediesJohnson, Samuel
General
Notes to Shakespeare, Volume III: The Tragedies
Johnson, Samuel
Shakespeare, William, 1564-1616 -- Criticism and interpretation
IV.i.62 (106,3) this bloody knife/Shall play the umpire] That is, this
knife shall decide the struggle between me and my distress.
IV.i.64 (106,4) commission of thy years and art] _Commission_ is for
_authority_ or _power_.
IV.i.79 (106,5)
Or chain me to some sleepy mountain's top,
Where rearing bears and savage lions roam;
Or shut me nightly in a charnel house]
[Or walk in thievish ways, or bid me lurk
Where serpents are; chain me with rearing bears,
Or hide me nightly, &c.
It is thus the editions vary. POPE.] my edition has the words which Mr.
Pope has omitted; but the old copy seems in this place preferable; only
perhaps we might better read,
Where _savage_ bears and _rearing_ lions roam.
IV.i.119 (108,8) If no unconstant toy] If no _fickle freak_, no _light
caprice_, no _change of fancy_, hinder the performance.
IV.ii.38 (110,2) We shall be short] That is, we shall be _defective_.
IV.iii.3 (110,3) For I have need of many orisons] Juliet plays most of
her pranks under the appearance of religion: perhaps Shakespeare meant
to punish her hypocrisy.
IV.iii.46 (112,6) Alas, alas! it is not like that I] This speech is
confused, and inconsequential, according to the disorder of Juliet's
mind.
IV.iv.4 (113,1) The curfeu bell] I knew not that the morning-bell is
called the _curfeu_ in any other place.
IV.iv.107 (119,9) O, play me some merry dump] This is not in the folio,
but the answer plainly requires it.
V.i (121,1) ACT V. SCENE I. MANTUA] The acts are here properly enough
divided, nor did any better distribution than the editors have already
made, occur to me in the perusal of this play; yet it may not be
improper to remark, that in the first folio, and I suppose the foregoing
editions are in the same state, there is no division of the acts, and
therefore some future editor may try, whether any improvement can be
made, by reducing them to a length more equal, or interrupting the
action at more proper intervals.
V.i.1 (121,2) If I may trust the flattering truth of sleep] The sense
is, _If I may only trust the_ honesty _of sleep_, which I know however
not to be so nice as not often to practise _flattery_.
V.i.3 (121,3)
My bosom's lord sits lightly on his throne;
And all this day an unaccustom'd spirit
Lifts me above the ground with chearful thoughts]
These three lines are very gay and pleasing. But why does Shakespeare
give Romeo this involuntary cheerfulness just before the extremity of
unhappiness? Perhaps to shew the vanity of trusting to these uncertain
and casual exaltations or depressions, which many consider as certain
foretokens of good and evil.
V.i.45 (123,6) A beggarly account of empty boxes] Dr. Warburton would
read, a _braggartly_ account; but _beggarly_ is probably right: if the
_boxes_ were _empty_, the _account_ was more _beggarly_, as it was more
pompous.
Public-domain text, read in full here on John Shaqi.
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