Notes to Shakespeare, Volume III: The TragediesJohnson, Samuel
General
Notes to Shakespeare, Volume III: The Tragedies
Johnson, Samuel
Shakespeare, William, 1564-1616 -- Criticism and interpretation
I.ii.125 (162,4) No jocund health] The king's intemperance is very
strongly impressed; every thing that happens to him gives him occasion
to drink.
I.ii.163 (164,9) I'll change that name] I'll be your servant, you shall
be my friend. (1773)
I.ii.164 (164,1) what make you] A familiar phrase for _what are you
doing_.
I.ii.167 (164,2) good Even, Sir] So the copies. Sir Th. Hanmer and Dr.
Warburton put it, _good morning_. The alteration is of no importance,
but all licence is dangerous. There is no need of any change. Between
the first and eighth scene of this act it is apparent, that a natural
day must pass, and how much of it is already over, there is nothing that
can determine. The king has held a council. It may now as well be
_evening_ as _morning_.
I.ii.182 (165,3) 'Would I had met my dearest foe in heaven] _Dearest_,
for _direst_, most dreadful, most dangerous.
I.ii.192 (165,5) Season your admiration] That is, _temper_ it.
I.ii.204 (166,6) they, distill'd/Almost to jelly with the act of
fear,/Stand dumb] [W: th' effect of] Here is an affectation of subtilty
without accuracy. _Fear_ is every day considered as an _agent_. _Fear
laid hold on him; fear drove him away_. If it were proper to be rigorous
in examining trifles, it might be replied, that Shakespeare would write
more erroneously, if he wrote by the direction of this critick; they
were not _distilled_, whatever the word may mean, _by the effect of
fear_; for that _distillation_ was itself the _effect_; _fear_ was the
cause, the active cause, that _distilled_ them by that force of
operation which we strictly call _act_ involuntary, and _power_ in
involuntary agents, but popularly call _act_ in both. But of this too
much.
I.iii.15 (169,9) The virtue of his will] _Virtue_ seems here to comprise
both _excellence_ and _power_, and may be explained the _pure effect_.
I.iii.21 (169,1) The sanity and health of the whole state] [W: safety]
HANMER reads very rightly, _sanity_. _Sanctity_ is elsewhere printed for
_sanity_, in the old edition of this play.
I.iii.32 (170,2) unmaster'd] i.e. _licentious_. (1773)
I.iii.34 (170,3) keep you in the rear of your affection] That is, do not
advance so far as your affection would lead you.
I.iii.49 (170,4) Whilst, like a puft and reckless libertine] [W: Whilest
he] The emendation is not amiss, but the reason for it is very
inconclusive; we use the same mode of speaking on many occasions. When I
say of one, _he squanders like a spendthrift_, of another, _he robbed me
like a thief_, the phrase produces no ambiguity; it is understood that
the one is a _spendthrift_, and the other a _thief_.
I.iii.64 (172,7) But do not dull thy palm with entertainment/Of each
new-hatch'd, unfledg'd comrade] The literal sense is, _Do not make thy
palm callous by shaking every man by the hand_. The figurative meaning
may be, _Do not by promiscuous conversation make thy mind insensible to
the difference of characters_.
Public-domain text, read in full here on John Shaqi.
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