Notes to Shakespeare, Volume III: The TragediesJohnson, Samuel
General
Notes to Shakespeare, Volume III: The Tragedies
Johnson, Samuel
Shakespeare, William, 1564-1616 -- Criticism and interpretation
I.i.46 (156,4) liv'd in court,/(Which rare it is to do) most prais'd,
most lov'd] This encomium is high and artful. To be at once in any great
degree _loved_ and _praised_ is truly _rare_.
I.i.49 (156,5) A glass that feated them] _A glass that featur'd them_]
Such is the reading in all the modern editions, I know not by whom first
substituted, for
A glass that _feared_ them;--
I have displaced _featur'd_, though it can plead long prescription,
because I am inclined to think that _feared_ has the better title.
_Mirrour_ was a favourite word in that age for an _example_, or a
_pattern_, by noting which the manners were to be formed, as dress is
regulated by looking in a glass. When Don Bellianis is stiled _The
Mirrour of Knighthood_, the idea given is not that of a glass in which
every knight may behold his own resemblance, but an example to be viewed
by knights as often as a glass is looked upon by girls, to be viewed,
that they may know, not what they are, but what they ought to be. Such a
glass may _fear the more mature_, as displaying excellencies which they
have arrived at maturity without attaining. To _fear_ is here, as in
other places, to _fright_. [I believe Dr. Johnson is mistaken as to the
reading of the folio, which is _feated_. The page of the copy which he
consulted is very faintly printed; but I have seen another since, which
plainly gives this reading. STEEVENS.] If _feated_ be the right word, it
must, I think, be explained thus; _a glass that_ formed _them_; a model,
by the contemplation and inspection of which they formed their manners.
(see 1765, VII, 260, 4)
I.i.86 (158,1)
I something fear my father's wrath; but nothing
(Always reserv'd my holy duty) what
His rage can do on me]
I say I do not fear my father, so far as I may say it without breach of
duty.
I.i.101 (158,2) Though ink be made of gall] Shakespeare, even in this
poor conceit, has confounded the vegetable _galls_ used in ink, with the
animal _gall_, supposed to be bitter.
I.i.132 (160,4) then heapest/A year's age on me] Dr. WARBURTON reads,
A _yare_ age on me.
It seems to me, even from SKINNER, whom he cites, that _yare_ is used
only as a personal quality. Nor is the authority of Skinner sufficient,
without some example, to justify the alteration. HANMER's reading is
better, but rather too far from the original copy:
--thou heapest _many_
A year's age on me.
I read,
--thou heap'st
_Years, ages_ on me.
I.i.135 (160,5) a touch more rare/Subdues all pangs, all fears] _Rare_
is used often for _eminently good_; but I do not remember any passage in
which it stands for _eminently bad_. May we read,
--a touch more _near_.
_Cura deam_ propior luctusque domesticus angit. _Ovid_.
Shall we try again,
--a touch more _rear_.
_Crudum vulnus._ But of this I know not any example. There is yet
another interpretation, which perhaps will remove the difficulty. _A
touch more rare_, may mean _a nobler passion_.
Public-domain text, read in full here on John Shaqi.
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