Notre Coeur; or, A Woman's Pastime: A NovelMaupassant, Guy de
General
Notre Coeur; or, A Woman's Pastime: A Novel
Maupassant, Guy de
France -- Fiction; Love -- Fiction; Man-woman relationships -- Fiction
She suddenly said to herself: "I will make to-day a day of rest; I
will go there very late." Then she opened a little cupboard in the
front of the carriage, concealed among the folds of black silk that
lined the _coupé_, which was fitted up as luxuriously as a pretty
woman's boudoir. The first thing that presented itself when she had
thrown open the doors of this secret receptacle was a mirror playing on
hinges that she moved so that it was on a level with her face. Behind
the mirror, in their satin-lined niches, were various small objects
in silver: a box for her rice-powder, a pencil for her lips, two
crystal scent-bottles, an inkstand and penholder, scissors, a pretty
paper-cutter to tear the leaves of the last novel with which she amused
herself as she rolled along the streets. The exquisite clock, of the
size and shape of a walnut, told her that it was four o'clock. Mme. de
Burne reflected: "I have an hour yet, at all events," and she touched
a spring that had the effect of making the footman who was seated
beside the coachman stoop and take up the speaking-tube to receive her
order. She pulled out the other end from where it was concealed in the
lining of the carriage, and applying her lips to the mouthpiece of
rock-crystal: "To the Austrian embassy!" she said.
Then she inspected herself in the mirror. The look that she gave
herself expressed, as it always did, the delight that one feels in
looking upon one's best beloved; then she threw back her furs to judge
of the effect of her corsage. It was a toilette adapted to the chill
days of the end of winter. The neck was trimmed with a bordering of
very fine white down that shaded off into a delicate gray as it fell
over the shoulders, like the wing of a bird. Upon her hat--it was
a kind of toque--there towered an aigret of more brightly colored
feathers, and the general effect that her costume inspired was to make
one think that she had got herself up in this manner in preparation
for a flight through the hail and the gray sky in company with Mother
Carey's chickens.
She was still complacently contemplating herself when the carriage
suddenly wheeled into the great court of the embassy.
Thereupon she arranged her wrap, lowered the mirror to its place,
closed the doors of the little cupboard, and when the _coupé_ had come
to a halt said to her coachman: "You may go home; I shall not need
you any more." Then she asked the footman who came forward from the
entrance of the hotel: "Is the Princess at home?"
"Yes, Madame."
She entered and ascended the stairs and came to a small drawing-room
where the Princess de Malten was writing letters.
Public-domain text, read in full here on John Shaqi.
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