Notre Coeur; or, A Woman's Pastime: A NovelMaupassant, Guy de
General
Notre Coeur; or, A Woman's Pastime: A Novel
Maupassant, Guy de
France -- Fiction; Love -- Fiction; Man-woman relationships -- Fiction
"You must not cry," he continued. As he held her in his arms, she
murmured: "_Oh! mon Dieu!"_ He knew that it was not regret, nor sorrow,
nor remorse that had elicited from her those three agitated words, but
happiness, true happiness. It gave him a strange, selfish feeling of
delight, physical rather than moral, to feel this small person resting
against his heart, to feel there at last the presence of a woman who
loved him. He thanked her for it, as a wounded man lying by the
roadside would thank a woman who had stopped to succor him; he thanked
her with all his lacerated heart, and he pitied her a little, too,
in the depths of his soul. As he watched her thus, pale and tearful,
with eyes alight with love, he suddenly said to himself: "Why, she is
beautiful! How quickly a woman changes, becomes what she ought to be,
under the influence of the desires of her feelings and the necessities
of her existence!"
"Sit down," he said to her. He took her hands in his, her poor toiling
hands that she had made white and pretty for his sake, and very gently,
in carefully chosen phrases, he spoke to her of the attitude that they
should maintain toward each other. She was no longer his servant, but
she would preserve the appearance of being so for a while yet, so as
not to create a scandal in the village. She would live with him as his
housekeeper and would read to him frequently, and that would serve to
account for the change in the situation. He would have her eat at his
table after a little, as soon as she should be permanently installed in
her position as his reader.
When he had finished she simply replied: "No, Monsieur, I am your
servant, and I will continue to be so. I do not wish to have people
learn what has taken place and talk about it."
He could not shake her determination, although he urged her
strenuously, and when he had drunk his tea she carried away the salver
while he followed her with a softened look.
When she was gone he reflected. "She is a woman," he thought, "and
all women are equal when they are pleasing in our eyes. I have
made my waitress my mistress. She is pretty, she will be charming!
At all events she is younger and fresher than the _mondaines_ and
the _cocottes_. What difference does it make, after all? How many
celebrated actresses have been daughters of _concierges_! And yet they
are received as ladies, they are adored like heroines of romance, and
princes bow before them as if they were queens. Is this to be accounted
for on the score of their talent, which is often doubtful, or of their
beauty, which is often questionable? Not at all. But a woman, in truth,
always holds the place that she is able to create for herself by the
illusion that she is capable of inspiring."
Public-domain text, read in full here on John Shaqi.
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