Notre Coeur; or, A Woman's Pastime: A NovelMaupassant, Guy de
General
Notre Coeur; or, A Woman's Pastime: A Novel
Maupassant, Guy de
France -- Fiction; Love -- Fiction; Man-woman relationships -- Fiction
The abbé started. Through his whole muscular frame crept the
unconquerable desire to seize this monster, to bend him like a twig, so
as to show him that he would have to yield.
Shaking the table, he shouted: "Take care, take care--I am afraid of
nobody."
The drunkard lost his balance and seeing that he was going to fall and
would forthwith be in the priest's power, he reached with a murderous
look for one of the knives lying on the table. The abbé perceived his
motion, and he gave the table a terrible shove; his son toppled over
and landed on his back. The lamp fell with a crash and went out.
During a moment the clinking of broken glass was heard in the darkness,
then the muffled sound of a soft body creeping on the floor, and then
all was silent.
With the crashing of the lamp a complete darkness spread over them;
it was so prompt and unexpected that they were stunned by it as by
some terrible event. The drunkard, pressed against the wall, did not
move; the priest remained on his chair in the midst of the night which
had quelled his rage. The somber veil that had descended so rapidly,
arresting his anger, also quieted the furious impulses of his soul; new
ideas, as dark and dreary as the obscurity, beset him.
The room was perfectly silent, like a tomb where nothing draws the
breath of life. Not a sound came from outside, neither the rumbling of
a distant wagon, nor the bark of a dog, nor even the sigh of the wind
passing through the trees.
This lasted a long time, perhaps an hour. Then suddenly the gong
vibrated! It rang once, as if it had been struck a short, sharp blow,
and was instantly followed by the noise of a falling body and an
overturned chair.
Marguerite came running out of the kitchen, but as soon as she opened
the door she fell back, frightened by the intense darkness. Trembling,
her heart beating as if it would burst, she called in a low, hoarse
voice: "M'sieur le Curé! M'sieur le Curé!"
Nobody answered, nothing stirred.
"_Mon Dieu, mon Dieu_," she thought, "what has happened, what have they
done?"
She did not dare enter the room, yet feared to go back to fetch a
light. She felt as if she would like to run away, to screech at the top
of her voice, though she knew her legs would refuse to carry her. She
repeated: "M'sieur le Curé! M'sieur le Curé! it is me, Marguerite."
But, notwithstanding her terror, the instinctive desire of helping her
master and a woman's courage, which is sometimes heroic, filled her
soul with a terrified audacity, and running back to the kitchen she
fetched a lamp.
She stopped at the doorsill. First, she caught sight of the tramp lying
against the wall, asleep, or simulating slumber; then she saw the
broken lamp, and then, under the table, the feet and black-stockinged
legs of the priest, who must have fallen backward, striking his head on
the gong.
Her teeth chattering and her hands trembling with fright, she kept on
repeating: "My God! My God! what is this?"
Public-domain text, read in full here on John Shaqi.
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