Notre Coeur; or, A Woman's Pastime: A NovelMaupassant, Guy de
General
Notre Coeur; or, A Woman's Pastime: A Novel
Maupassant, Guy de
France -- Fiction; Love -- Fiction; Man-woman relationships -- Fiction
"I asked him: 'You have nothing more to say?'
"'No, Monsieur.'
"'Then, farewell.'
"'Farewell, sir, one day or the other.'
"I turned toward the priest, whose somber silhouette was on the wall.
"'You will remain, M. Abbé?'
"'I will remain.'
"Then the dying man sneered: 'Yes, yes, he sends crows to dead bodies.'
"As for me, I had seen enough. I opened the door and went away in
self-protection."
AN OLD MAID
In Argenteuil they called her Queen Hortense. No one ever knew the
reason why. Perhaps because she spoke firmly, like an officer in
command. Perhaps because she was large, bony, and imperious. Perhaps
because she governed a multitude of domestic animals, hens, dogs, cats,
canaries, and parrots,--those animals so dear to old maids. But she
gave these familiar subjects neither dainties, nor pretty words, nor
those tender puerilities which seem to slip from the lips of a woman to
the velvety coat of the cat she is fondling. She governed her beasts
with authority. She ruled.
She was an old maid, one of those old maids with cracked voice, and
awkward gesture, whose soul seems hard. She never allowed contradiction
from any person, nor argument, nor would she tolerate hesitation, or
indifference, or idleness, or fatigue. No one ever heard her complain,
or regret what was, or desire what was not. "Each to his part," she
said, with the conviction of a fatalist. She never went to church,
cared nothing for the priests, scarcely believed in God, and called all
religious things "mourning merchandise."
For thirty years she had lived in her little house, with its tiny
garden in front, extending along the street, never modifying her
garments, changing only maids, and that mercilessly, when they became
twenty-one years old.
She replaced, without tears and without regrets, her dogs or cats
or birds, when they died of old age, or by accident, and she buried
trespassing animals in a flower-bed, heaping the earth above them and
treading it down with perfect indifference.
She had in the town some acquaintances, the families of employers,
whose men went to Paris every day. Sometimes they would invite her
to go to the theater with them. She inevitably fell asleep on these
occasions, and they were obliged to wake her when it was time to go
home. She never allowed anyone to accompany her, having no fear by
night or day. She seemed to have no love for children.
She occupied her time with a thousand masculine cares, carpentry,
gardening, cutting or sawing wood, repairing her old house, even doing
mason's work when it was necessary.
Public-domain text, read in full here on John Shaqi.
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