Notre Coeur; or, A Woman's Pastime: A NovelMaupassant, Guy de
General
Notre Coeur; or, A Woman's Pastime: A Novel
Maupassant, Guy de
France -- Fiction; Love -- Fiction; Man-woman relationships -- Fiction
A roomy wagonette drew up before the door. When she heard the rolling
of the wheels upon the sand she went to her window and looked out,
and the first thing that her eyes encountered was the face of André
Mariolle who was looking for her. Her heart began to beat a little more
rapidly. She was astonished and dejected as she reflected upon the
strange and novel impression produced by this muscle, which palpitates
and hurries the blood through the veins merely at the sight of some
one. Again she asked herself, as she had done the previous night before
going to sleep: "Can it be that I am about to love him?" Then when
she was seated face to face with him her instinct told her how deeply
he was smitten, how he was suffering with his love, and she felt as
if she could open her arms to him and put up her mouth. They only
exchanged a look, however, but it made him turn pale with delight.
The carriage rolled away. It was a bright summer morning; the air was
filled with the melody of birds and everything seemed permeated by the
spirit of youth. They descended the hill, crossed the river, and drove
along a narrow, rough, stony road that set the travelers bumping upon
their seats. Mme. de Burne began to banter her uncle upon the condition
of this road; that was enough to break the ice, and the brightness that
pervaded the air seemed to be infused into the spirit of them all.
As they emerged from a little hamlet the bay suddenly presented itself
again before them, not yellow as they had seen it the evening before,
but sparkling with clear water which covered everything, sands,
salt-meadows, and, as the coachman said, even the very road itself a
little way further on. Then, for the space of an hour they allowed the
horses to proceed at a walk, so as to give this inundation time to
return to the deep.
The belts of elms and oaks that inclosed the farms among which they
were now passing momentarily hid from their vision the profile of the
abbey standing high upon its rock, now entirely surrounded by the sea;
then all at once it was visible again between two farmyards, nearer,
more huge, more astounding than ever. The sun cast ruddy tones upon the
old crenelated granite church, perched on its rocky pedestal. Michèle
de Burne and André Mariolle contemplated it, both mingling with the
newborn or acutely sensitive disturbances of their hearts the poetry
of the vision that greeted their eyes upon this rosy July morning.
The talk went on with easy friendliness. Mme. Valsaci told tragic tales
of the coast, nocturnal dramas of the yielding sands devouring human
life. M. Valsaci took up arms for the dike, so much abused by artists,
and extolled it for the uninterrupted communication that it afforded
with the Mount and for the reclaimed sand-hills, available at first for
pasturage and afterward for cultivation.
Public-domain text, read in full here on John Shaqi.
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