Notre Coeur; or, A Woman's Pastime: A NovelMaupassant, Guy de
General
Notre Coeur; or, A Woman's Pastime: A Novel
Maupassant, Guy de
France -- Fiction; Love -- Fiction; Man-woman relationships -- Fiction
"In this street, or rather lane, there is a garden, and in this
garden a pavilion that also communicates with the two streets that I
mentioned."
"What next?"
"That pavilion awaits you."
She reflected, still with no appearance of embarrassment, and then
asked two or three questions that were dictated by feminine prudence.
His explanations seemed to be satisfactory, for she murmured as she
arose:
"Well, I will go to-morrow."
"At what time?"
"Three o'clock."
"Seven is the number; I will be waiting for you behind the door. Do not
forget. Give a knock as you pass."
"Yes, my friend. Adieu, till to-morrow."
"Till to-morrow, adieu. Thanks; I adore you."
They had risen to their feet. "Do not come with me," she said. "Stay
here for ten minutes, and when you leave go by the way of the quay."
"Adieu!"
"Adieu!"
She started off very rapidly, with such a modest, unassuming air, so
hurriedly, that actually she might have been mistaken for one of Paris'
pretty working-girls, who trot along the streets in the morning on the
way to their honest labors.
He took a cab to Auteuil, tormented by the fear that the house might
not be ready against the following day. He found it full of workmen,
however; the hangings were all in place upon the walls, the carpets
laid upon the floors. Everywhere there was a sound of pounding,
hammering, beating, washing. In the garden, which was quite large and
rather pretty, the remains of an ancient park, containing a few large
old trees, a thick clump of shrubbery that stood for a forest, two
green tables, two grass-plots, and paths twisting about among the beds,
the gardener of the vicinity had set out rose-trees, geraniums, pinks,
reseda, and twenty other species of those plants, the growth of which
is advanced or retarded by careful attention, so that a naked field may
be transformed in a day into a blooming flower garden.
Mariolle was as delighted as if he had scored another success with his
Michèle, and having exacted an oath from the upholsterer that all the
furniture should be in place the next day before noon, he went off to
various shops to buy some bric-à-brac and pictures for the adornment
of the interior of this retreat. For the walls he selected some of
those admirable photographs of celebrated pictures that are produced
nowadays, for the tables and mantelshelves some rare pottery and a few
of those familiar objects that women always like to have about them.
In the course of the day he expended the income of three months, and he
did it with great pleasure, reflecting that for the last ten years he
had been living very economically, not from penuriousness, but because
of the absence of expensive tastes, and this circumstance now allowed
him to do things somewhat magnificently.
Public-domain text, read in full here on John Shaqi.
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