Man, thanks to the artifices of rhetoric, to his professional address and his habit of using the pen to discuss all the affairs of life, often succeeds in disguising his own nature by his impersonal prose style, literary or business, but woman never writes unless it is of herself and something of her being goes into her every word. She knows nothing of the subtilities of style and surrenders herself unreservedly in her ignorance of the scope and value of words. Mariolle called to mind the memoirs and correspondence of celebrated women that he had read; how distinctly their characters were all set forth there, the _précieuses_, the witty, and the sensible! What struck him most in Mme. de Burne's letters was that no trace of sensibility was to be discovered in them. This woman had the faculty of thought but not of feeling. He called to mind letters that he had received from other persons; he had had many of them. A little _bourgeoise_ that he had met while traveling and who had loved him for the space of three months had written delicious, thrilling notes, abounding in fresh and unexpected terms of sentiment; he had been surprised by the flexibility, the elegant coloring, and the variety of her style. Whence had she obtained this gift? From the fact that she was a woman of sensibility; there could be no other answer. A woman does not elaborate her phrases; they come to her intelligence straight from her emotions; she does not rummage the dictionary for fine words. What she feels strongly she expresses justly, without long and labored consideration, in the adaptive sincerity of her nature. He tried to test the sincerity of his mistress's nature by means of the lines which she wrote him. They were well written and full of amiability, but how was it that she could find nothing better for him? Ah! for her _he_ had found words that burned as living coals!