It was a still August afternoon, and Roger drove Annette through the
sunny countryside. The cool breath of the sea blew softly in their
faces, travelling towards them across the low-lying woods and
cornfields. For there are few hills in Lowshire. It is a land of long
lines: long lines of tidal river and gleaming flats, and immense
stretches of clover--clover which is a soft green for half the summer,
and then a sea of dim blue pink. The heather and the gorse-land creep
almost down among the fields, with here and there a clump of pines
taking care of tiny cottages so muffled in the gorse that you can only
see the upper windows, or keeping guard round quaint little churches
with flint towers. And everywhere in the part of Lowshire where the
Rieben winds, there are old bridges of red blue brick shouldering up
among the buttercups, and red cows, with here and there a blue one,
standing without legs in the long grass. And scattered far apart, down
deep blackberried lanes, lie the villages of pink-plastered cottages
clustering together, red roof by red roof, with a flinty grey church in
the midst.
The original artist who designed and painted Lowshire must have always
taken a dab of blue in his brush just when he had filled it with red, to
do the bridges and the old farms and barns and the cows. For in Lowshire
the blues and the reds are always melting into each other like the
clover.
Roger and Annette were heading towards the sea, and so you would have
thought would be their companion the Rieben. But the Rieben was in no
hurry. It left them continually to take the longest way, laying itself
out in leisurely curves round low uplands, but always meeting them again
a few miles farther on, growing more stately with every detour. Other
streams swelled it, and presently wharves and townships stretched
alongside of it, and ships came sailing by. It hardly seemed possible to
Annette that it could be the same little river which one low arch could
span at Riff.
At last they turned away from it altogether, and struck across the wide
common of Gallowscore amid its stretches of yellowing bracken; and Roger
showed her where, in past times, a gibbet used to hang, and told her
that old Cowell the shepherd, the only man who still came to church in
smock-frock and blue stockings, had walked all the way from Riff to
Gallowscore, as a lad, to see three highwaymen hanging in chains on it.
The great oak had been blown down later, gibbet and all, and the gibbet
had never been set up again.
A walking funeral was toiling across the bracken in the direction of the
church on the edge of the common, and Roger drew up and waited
bareheaded till it had passed. And he told Annette of the old iniquitous
Lowshire "right of heriot" which came into force when a tenant died, and
how his uncle Mr. Manvers, the last lord of the manor, had let it lapse,
and how Dick, the present owner, had never enforced it either.
Public-domain text, read in full here on John Shaqi.
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