"That tramp appears to me symbolical of mankind. Human Nature has worn
its conventions for so long that its habit has grown on to it. In this
nineteenth century it is impossible to say where the clothes of custom
end and the natural man begins. Our virtues are taught to us as a branch
of 'Deportment'; our vices are the recognised vices of our reign and set.
Our religion hangs ready-made beside our cradle to be buttoned upon us by
loving hands. Our tastes we acquire, with difficulty; our sentiments we
learn by rote. At cost of infinite suffering, we study to love whiskey
and cigars, high art and classical music. In one age we admire Byron and
drink sweet champagne: twenty years later it is more fashionable to
prefer Shelley, and we like our champagne dry. At school we are told
that Shakespeare is a great poet, and that the Venus di Medici is a fine
piece of sculpture; and so for the rest of our lives we go about saying
what a great poet we think Shakespeare, and that there is no piece of
sculpture, in our opinion, so fine as the Venus di Medici. If we are
Frenchmen we adore our mother; if Englishmen we love dogs and virtue. We
grieve for the death of a near relative twelve months; but for a second
cousin we sorrow only three. The good man has his regulation
excellencies to strive after, his regulation sins to repent of. I knew a
good man who was quite troubled because he was not proud, and could not,
therefore, with any reasonableness, pray for humility. In society one
must needs be cynical and mildly wicked: in Bohemia, orthodoxly
unorthodox. I remember my mother expostulating with a friend, an
actress, who had left a devoted husband and eloped with a disagreeable,
ugly, little low comedian (I am speaking of long, long ago).
"'You must be mad,' said my mother; 'what on earth induced you to take
such a step?'
"'My dear Emma,' replied the lady; 'what else was there for me? You know
I can't act. I had to do _something_ to show I was 'an artiste!'
"We are dressed-up marionettes. Our voice is the voice of the unseen
showman, Convention; our very movements of passion and pain are but in
answer to his jerk. A man resembles one of those gigantic bundles that
one sees in nursemaids' arms. It is very bulky and very long; it looks a
mass of delicate lace and rich fur and fine woven stuffs; and somewhere,
hidden out of sight among the finery, there is a tiny red bit of
bewildered humanity, with no voice but a foolish cry.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account