time does not rebound, which is not owing to any loss of quantity in the wood during the time, for the same would occur (after a larger time) in a plate of steel, which does not evaporate. If the experiment of simple perseverance should fail, the matter should not be given up, but other means should be employed. For it would be no small advantage, if bodies could be endued with fixed and constant natures by violence. Air could then be converted into water by condensation, with other similar effects; for man is more the master of violent motions than of any other means. 3. The third of our seven methods is referred to that great practical engine of nature, as well as of art, cold and heat. Here, man’s power limps, as it were, with one leg. For we possess the heat of fire, which is infinitely more powerful and intense than that of the sun (as it reaches us), and that of animals. But we want cold,[162] except such as we can obtain in winter, in caverns, or by surrounding objects with snow and ice, which, perhaps, may be compared in degree with the noontide heat of the sun in tropical countries, increased by the reflection of mountains and walls. For this degree of heat and cold can be borne for a short period only by animals, yet it is nothing compared with the heat of a burning furnace, or the corresponding degree of cold.[163] Everything with us has a tendency to become rarefied, dry and wasted, and nothing to become condensed or soft, except by mixtures, and, as it were, spurious methods. Instances of cold, therefore, should be searched for most diligently, such as may be found by exposing bodies upon buildings in a hard frost, in subterraneous caverns, by surrounding bodies with snow and ice in deep places excavated for that purpose, by letting bodies down into wells, by burying bodies in quicksilver and metals, by immersing them in streams which petrify wood, by burying them in the earth (which the Chinese are reported to do with their china, masses of which, made for that purpose, are said to remain in the ground for forty or fifty years, and to be transmitted to their heirs as a sort of artificial mine) and the like. The condensations which take place in nature, by means of cold, should also be investigated, that by learning their causes, they may be introduced into the arts; such as are observed in the exudation of marble and stones, in the dew upon the panes of glass in a room toward morning after a frosty night, in the formation and the gathering of vapors under the earth into water, whence spring fountains and the like.