World War, 1914-1918; World War, 1914-1918 -- Great Britain
We were starting early next day--before dawn--to see the beginning of
another battle. We walked slowly over the little iron bridge again,
through the vegetable market, where old men and women were unloading
cabbages from a big wagon, then into the dark tunnel of the rue des
Augustins, and so to the little old mansion of Mme. de la Rochefoucauld
in the rue Amiral Courbet. There was a light burning in the window of
the censor's room. In there the colonel was reading The Times in the
Louis Quinze salon, with a grave pucker on his high, thin forehead. He
could not get any grasp of the world's events. There was an attack on
the censor by Northcliffe. Now what did he mean by that? It was really
very unkind of him, after so much civility to him. Charteris would be
furious. He would bang the telephone--but--dear, dear, why should
people be so violent? War correspondents were violent on the slightest
provocation. The world itself was very violent. And it was all so
dangerous. Don't you think so, Russell?
The cars were ordered for five o'clock. Time for bed.
XI
The night in Amiens was dark and sinister when rain fell heavily out of
a moonless sky. Hardly a torch-lamp flashed out except where a solitary
woman scurried down the wet streets to lonely rooms. There were no
British officers strolling about. They had turned in early, to hot baths
and unaccustomed beds, except for one or two, with their burberries
buttoned tight at the throat, and sopping field-caps pulled down about
the ears, and top--boots which went splash, splash through deep puddles
as they staggered a little uncertainly and peered up at dark corners to
find their whereabouts, by a dim sense of locality and the shapes of the
houses. The rain pattered sharply on the pavements and beat a tattoo on
leaden gutters and slate roofs. Every window was shuttered and no light
gleamed through.
On such a night I went out with Beach Thomas, as often before, wet or
fine, after hard writing.
“A foul night,” said Thomas, setting off in his quick, jerky step. “I
like to feel the rain on my face.”
We turned down as usual to the river. It was very dark--the rain was
heavy on the quayside, where there was a group of people bareheaded in
the rain and chattering in French, with gusts of laughter.
“Une bouteille de champagne!” The words were spoken in a clear boy's
voice, with an elaborate caricature of French accent, in musical
cadence, but unmistakably English.
“A drunken officer,” said Thomas.
“Poor devil!”
We drew near among the people and saw a young officer arm in arm with
a French peasant--one of the market porters--telling a tale in broken
French to the audience about him, with comic gesticulations and
extraordinary volubility.
A woman put her hand on my shoulder and spoke in French.
“He has drunk too much bad wine. His legs walk away from him. He will
be in trouble, Monsieur. And a child--no older than my own boy who is
fighting in the Argonne.”
Public-domain text, read in full here on John Shaqi.
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