As she reached the hall, voices could be heard plainly in the dining
room, where she judged that the gentlemen would still be sitting over
their wine. She half stopped as one voice rose louder and sounded deep
and hoarse, and for the moment it seemed as if, in dread lest the door
should be opened and the occupants of the room appear, she was about to
retreat upstairs; but, recovering her confidence, she passed on toward
the library, the softly subdued notes of a piano reaching her ear from
the drawing room, so that she was in no wise surprised, on turning the
handle, to find that the library was lit up but vacant.
The door swung to as she entered and glanced around the massively
furnished room with its heavy bronze figures on the mantelpiece, each
bearing a globe lamp which threw a subdued light around, while a broad,
green shade spread a circle of light on the book covered table.
Elisia took a few steps forward into the room, rested her hand upon the
back of one of the heavy leather-covered chairs, and sighed as she stood
thinking. For the place, with its calm silence and softened light,
evoked thought, and the disposition to recall the days when life seemed
opening out before her in one long vista of joy. At that time it was as
if there were no such element in existence as sorrow; and yet of late
hers had been permeated by incessant grief, and a despondency so great
that there were hours when she lay sleepless, thinking that death when
it came would be no trouble, only a great and welcome rest.
She sighed again as she stood there crossing one hand over the other,
and half resting on the great chair back. And now a smile faintly
dawned upon her lip, as she began to think of her mission there, and of
how long it would be before Isabel came. For it was pleasant to think
of the fresh, innocent, young face, which had now grown to light up when
they met, as its owner became more trusting and affectionate day by day.
Then, as she thought that the girl would come as soon as the piece she
played was finished, the tears rose to her eyes. For the melody she
heard, like every air that has once made its way to the heart, evoked
old memories of scenes years before, when she had played that old air.
It had been a favourite of hers, and used to sound bright and joyous,
but now it was full of sadness.
"Why is it," she thought, "that as time glides on, all these old airs
grow more mournful in their tones?"
The answer to this has never come, but the fact remains the same; and
why should they not sound more sad to us who heard them in our youth,
and love them better in our riper years when they are blended with
memories, and softened by time, even if the hearing of the strain does
produce a mistiness of vision and a disposition to sigh?
Public-domain text, read in full here on John Shaqi.
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