American essays -- 19th century; American fiction -- 19th century; American poetry -- 19th century; Short stories, American
Wheels are rattling over the dark streets. The milk man is abroad, and
the butcher's cart is making its rounds. Policemen relax their
vigilance, and around the coffee stands is gathered quite a crowd of
night workers who drop in for something hot before going home.
It is five hours yet before my lady arouses in her boudoir, and
hundreds of her slaves are astir in her service. When she seats
herself at ten at the breakfast table arrayed in becoming morning
toilet, she never thinks of her loyal vassals that have been toiling
during the night to prepare her dainty breakfast. Miles away the
milkman and his assistants rise at 2 o'clock to procure the milk for
her tea; the baker many hours earlier to furnish her toast and rolls,
and the newspaper she so idly glances at represents twenty-four hours'
continuous labor of the brainiest, most intelligent, courtly, learned
and fascinating set of men in the world.
The night editor stops, perhaps, to eat a light lunch at a stand, and
chat a few minutes with the night workers he meets there. As he wends
his way homeward, he meets a citizen who has for once for some reason
arisen at what seems to him an unholy hour of the morning.
"Good morning," says the citizen, "what in the world are you doing up
so early?"
"Oh," says the night editor, "we newspaper men have to rise real early
in order to get the paper out by breakfast time."
"To be sure, to be sure," says the citizen. "I never thought of that!"
(_Houston Daily Post_, Sunday morning, March 29, 1896.)
Newspaper Poets
The journalist-poet seems to be a hybrid born of the present day when
rapidity and feverish haste are the necessary conditions to success.
There is hardly a newspaper of the first class in the land that does
not include a jingler in its staff.
A journalist is one thing, and a poet should be another. A combination
of the two--or rather a man who tries to do the work of both--is very
nearly a union of opposites.
A journalist is a recorder of transient impressions; he seizes
whatever is worthy of note from the swiftly-moving stream of current
events, and stamping his data with the seal of his own originality--if
he possesses any--he flings his paper damp from the press at the heads
of the public and is off pursuing fresh quarry. He is a machine--but
of admirable efficiency--that threshes the chaff from the million
happenings of the day, and delivers the wheat to those who would
flounder helplessly among the piled sheaves if left to themselves.
Public-domain text, read in full here on John Shaqi.
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