American essays -- 19th century; American fiction -- 19th century; American poetry -- 19th century; Short stories, American
A short time ago he dashed off two or three verses on a Midway dancer,
called something like "Papinta," that had a rhythm and a lilt and
swinging grace to it that were fascinating and truly admirable. The
poem was delicate, airy and sprite-like, and one could almost see the
form of the dancer and hear the castanets and guitars while reading
the musical lines.
But the amount of verse he writes daily will not permit of such a high
average, and the moral of it all is that, while he is succeeding as a
journalist and an interesting writer upon the day's topics, his future
as a poet is not being benefited by his overproduction of poetry at
present.
* * * * *
The late Eugene Field might in time have become a poet of considerable
ability, but there is little question that his newspaper labors were
too onerous to allow of a thorough development of his poetic powers.
The verses he wrote have always been popular because they were simple
and musical, and addressed themselves to an almost universal sympathy
for children, and his poems, charming and lovable as they were,
stopped short of being great. It was the subject and the sentiment,
rather than the literary proficiency of his poetical work, that made
him so widely known. A poem to be great and long-remembered must be
erected in the same way that a house is built. The foundation, the
superstructure, the architectural proportions, the ornament and finish
must be the result of care and labor, or else it abideth not.
Judge Albion W. Tourgee, whose opinions on matters literary deserve
respect, however it be concerning his political proclivities, advises
poetic as well as other literary aspirants to always work in a room
with an open fire--not for the sake of the fire, but in order that he
may burn five sheets for every one he sends to the printer. W. S.
Porter.
(_Houston Daily Post_, Sunday morning, November 24, 1895.)
Part Three: Newspaper Poetry
Topical Verse
(Dramatis Personae: One singer, one baritone horn, one bass drum.)
There was a man in our town,
And he was very lazy;
He made his wife do everything,
Till she was almost crazy.
Although he was a Christian man,
He made her come upstairs
And wake him up to say "Amen!"
When she had said his prayers.
One night before he went to sleep
He made her kneel and pray
And when she finished, wake him up;
Then this good man did say:
"Oh, Lord, please answer my wife's prayer."
And then to sleep he fell.
The Lord did, and the man awoke
To find himself in ----.
_Baritone horns_ "Ta-ta-rum."
_Bass Drums_ "Boom."
(_Houston Daily Post_, Sunday morning, May 17, 1896.)
Cape Jessamines
Public-domain text, read in full here on John Shaqi.
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