American essays -- 19th century; American fiction -- 19th century; American poetry -- 19th century; Short stories, American
The house was two-storied and square, with big white pillars in front.
Large verandahs ran entirely around the house, about which climbed
dense masses of ivy and honeysuckle.
As I alighted from the ambulance, I heard a chattering and saw a large
mule run out the front door, driven by a lady with a broom. The mule
lay down on the verandah and the lady advanced to meet me.
"Ah you Miss Cook?" she asked, in the soft slurring accent.
I bowed.
"Ah am Mrs. DeVere," she said. "Come in, and look out for that dam
mule. I can't keep him out of the house."
I went in the parlor and looked about me in amazement. The room was
magnificently furnished, but I could see the Southern sloth and
carelessness visible everywhere. A wheelbarrow full of dried mortar
stood in one corner that had been left there when the masons built the
house. Five or six chickens were roosting on the piano and a pair of
pants were hanging on the chandelier.
Mrs. DeVere had a pale, aristocratic face, with Grecian features, and
snowy hair arranged carefully in becoming ringlets. She was dressed in
black satin and wore flashing diamonds on her hands and at her throat.
Her eyes were black and piercing and her eyebrows dark. As I took my
seat, she drew a long piece of plug tobacco from a silver card
receiver, and bit off a chew.
"Do you indulge?" she asked smilingly.
I shook my head.
"The h--l you don't!" she replied.
Just then a horse dashed up to the verandah--or gallery, as they call
it in Texas--and someone dismounted and entered the room.
* * * * *
I shall never forget my first sight of Aubrey DeVere.
He was fully seven feet in height, and his face was perfect. It was
the absolute image of Andrea del Sarto's painting of the young Saint
John. His eyes were immense, dark, and filled with a haunting sadness,
and his pale, patrician features and air of haut monde stamped him at
once as the descendant of a long line of aristocrats.
He wore a dress suit of the latest cut, but I noticed that he was
barefooted, and down from each side of his mouth trickled a dark brown
stream of tobacco juice.
On his head was an enormous Mexican sombrero. He wore no shirt, but
his dress coat, thrown back from his broad chest, revealed an enormous
scintillating diamond tied with a piece of twine strung into the
meshes of his gauze undershirt.
"My son, Aubrey; Miss Cook," said Mrs. DeVere languidly.
Mr. DeVere took a chew of tobacco from his mouth and tossed it behind
the piano.
"The lady who has kindly consented to assume our scholastic duties, I
presume," he said, in a deep musical baritone.
I inclined my head.
"I know your countrymen," he said with a dark frown upon his handsome
face. "They still grope among their benighted traditions of ignorance
and prejudice. What do you think of Jefferson Davis?"
I looked into his flashing eye without flinching.
"He was a traitor," I said.
Public-domain text, read in full here on John Shaqi.
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