Kathleen was engaged to be married to Fergus O'Hollihan, a stalwart and handsome young man, who came to see her every night, with exquisitely washed hands and face, and wet hair, brushed down low upon a forehead that did not exactly retreat, but seemed to rather fall back for reinforcements. On Sunday nights Kathleen and Fergus would wander arm in arm over to the Gesundheit Bier Garten, and while the string band in the pavilion played the dear old Fatherland melodies they would sit at a little round table in some dark corner and click glasses in the most friendly and lover-like manner. The marriage was to come off in June, and Kathleen, after the custom of her people, had already prepared her bridal trousseau and housekeeping effects. In her wardrobe were great piles of beautifully embroidered things in fine linen and damask; heaps of table cloths, napkins and towels, and in the big drawers of her bureau were piles of dainty, lace-trimmed garments that Kathleen, being a modest Irish maiden and not a New York millionairess, kept shyly hidden from view, instead of having their description printed in the _Post_. Kathleen had made these garments herself, working with loving care and patience, and they were intended as a guarantee of good faith, and not for publication. The girls in the neighborhood all envied Kathleen her good luck, for Fergus was a fine-looking young man, and his business was prospering. He could drink more whiskey, tell funnier jokes and sing "The Wearin' of the Green" so you could hear it farther on a still night than could any other young man of their acquaintance. So, dark-haired Kathleen was happy, bending over her work with rosy cheeks and smiling lips, while, alas! already the serpent was at work that was to enter her Eden. * * * * * One day Kathleen was sitting at her window, half hidden by the climbing honeysuckle vines, when she saw Fergus pass down the street with another man, a low-browed, treacherous-looking person, with shifty eyes and a snakelike manner. It was with a deep foreboding and a strange sinking of the heart that she recognized Fergus' companion as a notorious member of the Young Men's Christian Association of Houston. From that moment Kathleen's peace of mind fled. When Fergus came to see her that night he seemed abstracted and different. His hand trembled when he took the glass of rye she handed him, and when he sang for her "Let the huntsman graze his hounds As the farmer does his grounds," that sad and melancholy old song that Irishmen always sing when they feel particularly jolly, his voice sounded plaintive and full of pathos. Kathleen was far too wise to chide him. She tried to be gay and cheerful, though the change in Fergus made her heart very sad. Again the next day, and once more the following day but one, did she see him with the low-browed tempter that had wrought the change.