American essays -- 19th century; American fiction -- 19th century; American poetry -- 19th century; Short stories, American
"How do you account for its having made the hair grow on Mr. Plunket's
head?" asked the Post Man.
"How do I account for it?" repeated the barber in so dangerous a tone
that the Post Man shuddered. "How do I account for it? I'll tell you
how I account for it. I went out one day to where Mr. Plunket lived on
the edge of town and asked for him.
"'Which Mr. Plunket?' asked a man who came out to the gate?
"'Come off,' I said, 'the Plunket that lives here.'
"'They've both moved,' said the man.
"'What do you mean by "both?"' I said, and then I began to think, and
I said to the man:
"'What kind of looking men were the Plunkets?'
"'As much like as two peas,' said the man. 'They were twins, and
nobody could tell 'em apart from their faces or their talk. The only
difference between 'em was that one of 'em was as bald-headed as a hen
egg and the other had plenty of hair.'"
"Now," said the barber as he poured about two ounces of bay rum down
the Post Man's shirt front, "that's how I account for it. The
bald-headed Plunket would come in my shop one time and the one with
hair would come in another, and I never knew the difference."
When the barber finished the Post Man saw the African with the whisk
broom waiting for him near the front door, so he fled by the back
entrance, climbed a brick wall and escaped by a side street.
(_Houston Daily Post_, Sunday morning, June 7, 1896.)
Part Two: Sketches
Did You See the Circus?
Some Twenty Thousand Other People Were There
WONDERS OF THE STREET PARADE
The Good People Came Out to Show the Children the Animals A Good
Parade
If some man had cornered the children market day before yesterday, he
could have made a fortune.
Yesterday was circus day, and every deacon and elder and staid
business man in Houston who wanted to see Mademoiselle Marie Meers
ride barebacked and walk the tight rope, and had no kids of his own,
was out offering love and money for somebody's else to take along as
an excuse for going to the circus. In some New England towns large
families make a living by renting out their children to church members
for this purpose.
When a man tells you that he doesn't believe in the Old Testament,
just ask him what made him follow the band wagon and the steam piano
and the animal cages when he was a boy, and what makes him still sneak
into the circus and feed the elephant peanuts and stare the monkeys
out of countenance. It's nothing in the world but a feeling we all
inherited from Noah when he put on the greatest show on water for a
run of forty nights and as many matinees all over the world. The smell
of the gas jets and sawdust, the crack of the ring-master's whip, the
ancient jokes of the clown, and the wonderful linguistic performances
of the lemonade man are temptations that most of us strive to resist
in vain.
Public-domain text, read in full here on John Shaqi.
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