American fiction -- 20th century; Short stories, American -- Periodicals
When she could see clearly, she perceived a weak illumination in the
cabin. On the rough bench-table, shaded by two slabs of bark, burned
the stub of a tallow candle probably left by some hunting-party.
The windows were curtained with rotting blankets. Some rough
furniture lay about; rusted cooking-utensils littered the tables,
and at one end was a sheet-iron stove. The place had been equipped
after a fashion by deer-hunters or mountain hikers, who brought
additional furnishings to the place each year and left mouldy
provisions and unconsumed firewood behind.
The man succeeded finally in closing the door. He turned upon her.
He was short and stocky. The stolen corduroy coat covered
blacksmith's muscles now made doubly powerful by dementia. His hair
was lifeless black and clipped close, prison-fashion. His low
forehead hung over burning, mismated eyes. From her helplessness on
the floor Cora McBride stared up at him.
He came closer.
"Get up!" he ordered. "Take that chair. And don't start no
rough-house; whether you're a woman or not, I'll drill you!"
She groped to the indicated chair and raised herself, the single
snowshoe still dragging from one foot. Again the man surveyed her.
She saw his eyes and gave another inarticulate cry.
"Shut your mouth and keep it shut! You hear me?"
She obeyed.
The greenish light burned brighter in his mismated eyes, which gazed
intently at the top of her head as though it held something unearthly.
"Take off your hat!" was his next command.
She pulled off the toque. Her hair fell in a mass on her
snow-blotched shoulders. Her captor advanced upon her. He reached out
and satisfied himself by touch that something was not there which he
dreaded. In hypnotic fear she suffered that touch. It reassured him.
"Your hair now," he demanded; "it don't stand up, does it? No, o'
course it don't. You ain't _him_; you're a woman. But if your hair
comes up, I'll kill you--understand? If your hair comes up, _I'll
kill you_!"
She understood. She understood only too well. She was not only housed
with a murderer; she was housed with a maniac. She sensed, also, why
he had come to this mountain shack so boldly. In his dementia he knew
no better. And she was alone with him, unarmed now.
"I'll keep it down," she whispered, watching his face out of
fear-distended eyes.
The wind blew one of the rotten blankets inward. Thereby she knew
that the window-aperture on the south wall contained no sash. He
must have removed it to provide means of escape in case he were
attacked from the east door. He must have climbed out that window
when she came around the shack; that is how he had felled her from
behind.
He stepped backward now until he felt the edge of the bench touch
his calves. Then he sank down, one arm stretched along the table's
rim, the hand clutching the revolver.
"Who are you?" he demanded.
Public-domain text, read in full here on John Shaqi.
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