American fiction -- 20th century; Short stories, American -- Periodicals
In the shop they let it go at that. The missteps and frailties of
every one else in the world were canvassed there with the most
shameless publicity. But Boaz Negro was a blind man, and in a sense
their host. Those reckless, strong young fellows respected and loved
him. It was allowed to stand at that. Manuel was "a good boy." Which
did not prevent them, by the way, from joining later in the general
condemnation of that father's laxity--"the ruination of the boy!"
"He should have put him to work, that's what."
"He should have said to Manuel, 'Look here, if you want a dollar, go
earn it first.'"
As a matter of fact, only one man ever gave Boaz the advice direct.
That was Campbell Wood. And Wood never sat in that shop.
In every small town there is one young man who is spoken of as
"rising." As often as not he is not a native, but "from away."
In this town Campbell Wood was that man. He had come from another
part of the state to take a place in the bank. He lived in the upper
story of Boaz Negro's house, the ground floor now doing for Boaz and
the meagre remnant of his family. The old woman who came in to tidy
up for the cobbler looked after Wood's rooms as well.
Dealing with Wood, one had first of all the sense of his
incorruptibility. A little ruthless perhaps, as if one could imagine
him, in defence of his integrity, cutting off his friend, cutting
off his own hand, cutting off the very stream flowing out from the
wellsprings of human kindness. An exaggeration, perhaps.
He was by long odds the most eligible young man in town; good
looking in a spare, ruddy, sandy-haired Scottish fashion; important,
incorruptible, "rising." But he took good care of his heart.
Precisely that; like a sharp-eyed duenna to his own heart. One felt
that here was the man, if ever was the man, who held his destiny in
his own hand. Failing, of course, some quite gratuitous and
unforeseeable catastrophe.
Not that he was not human, or even incapable of laughter or passion.
He was, in a way, immensely accessible. He never clapped one on the
shoulder; on the other hand, he never failed to speak. Not even to
Boaz.
Returning from the bank in the afternoon, he had always a word for
the cobbler. Passing out again to supper at his boarding-place, he
had another, about the weather, the prospects of rain. And if Boaz
were at work in the dark when he returned from an evening at the
Board of Trade, there was a "Good night, Mr. Negro!"
On Boaz's part, his attitude toward his lodger was curious and
paradoxical. He did not pretend to anything less than reverence for
the young man's position; precisely on account of that position he
was conscious toward Wood of a vague distrust. This was because he
was an uneducated fellow.
To the uneducated the idea of large finance is as uncomfortable as
the idea of the law. It must be said for Boaz that, responsive to
Wood's unfailing civility, he fought against this sensation of dim
and somehow shameful distrust.
Public-domain text, read in full here on John Shaqi.
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