American fiction -- 20th century; Short stories, American -- Periodicals
"Keep clear of the Law!" they had told him in his youth. The monster
his imagination had summoned up then still stood beside him in his
age.
Having exhausted his monosyllabic and superficial evidence, they
could move him no farther. He became deaf and dumb. He sat before
them, an image cast in some immensely heavy stuff, inanimate. His
lack of visible emotion impressed them. Remembering his exuberance,
it was only the stranger to see him unmoving and unmoved. Only once
did they catch sight of something beyond. As they were preparing to
leave he opened his mouth. What he said was like a swan-song to the
years of his exuberant happiness. Even now there was no colour of
expression in his words, which sounded mechanical.
"Now I have lost everything. My house. My last son. Even my honour.
You would not think I would like to live. But I go to live. I go to
work. That _cachorra_, one day he shall come back again, in the dark
night, to have a look. I shall go to show you all. That _cachorra_!"
(And from that time on, it was noted, he never referred to the
fugitive by any other name than _cachorra_, which is a kind of dog.
"That _cachorra_!" As if he had forfeited the relationship not only
of the family, but of the very genus, the very race! "That _cachorra_!")
He pronounced this resolution without passion. When they assured him
that the culprit would come back again indeed, much sooner than he
expected, "with a rope around his neck," he shook his head slowly.
"No, you shall not catch that _cachorra_ now. But one day--"
There was something about its very colourlessness which made it
sound oracular. It was at least prophetic. They searched, laid their
traps, proceeded with all their placards, descriptions, rewards,
clues, trails. But on Manuel Negro they never laid their hands.
Months passed and became years. Boaz Negro did not rebuild his house.
He might have done so, out of his earnings, for upon himself he
spent scarcely anything, reverting to his old habit of an almost
miserly economy. Yet perhaps it would have been harder after all.
For his earnings were less and less. In that town a cobbler who sits
in an empty shop is apt to want for trade. Folk take their boots to
mend where they take their bodies to rest and their minds to be
edified.
No longer did the walls of Boaz's shop resound to the boastful
recollections of young men. Boaz had changed. He had become not only
different, but opposite. A metaphor will do best. The spirit of Boaz
Negro had been a meadowed hillside giving upon the open sea, the sun,
the warm, wild winds from beyond the blue horizon. And covered with
flowers, always hungry and thirsty for the sun and the fabulous wind
and bright showers of rain. It had become an entrenched camp, lying
silent, sullen, verdureless, under a gray sky. He stood solitary
against the world. His approaches were closed. He was blind, and he
was also deaf and dumb.
Public-domain text, read in full here on John Shaqi.
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