American fiction -- 20th century; Short stories, American -- Periodicals
Lapo Cercamorte laughed loud; but his laugh was the bark of a hyena,
and his eyes were balls of fire.
"No! with these legs and ringlets? Come here, Baldo. Here is a girl
who says she is a man. What do you say, to speak only of this pretty
skin of hers?"
And with his big hand suddenly he ripped open Raffaele's tunic half
way to the waist, exposing the fair white flesh. The troubadour,
though quivering with shame and rage, remained motionless, staring
at the great sword that hung in its scarlet sheath from Lapo's
harness.
Old one-eyed Baldo, plucking his master by the elbow, whispered:
"Take care, Cercamorte. His brother Nicolotto is your ally. Since
after all, nothing much has happened, do not carry the offence too
far."
"Are you in your dotage?" Lapo retorted, still glaring with a
dreadful interest at Raffaele's flesh. "Do you speak of giving
offence, when all I desire is to be as courteous as my uneducated
nature will allow? She must pardon me that slip of the hand; I meant
only to stroke her cheek in compliment but instead I tore her dress.
Yet I will be a proper courtier to her still. Since she is now set
on going home, I myself, alone, will escort her clear to the forest,
in order to set her upon the safe road."
And presently Madonna Gemma, peering from her chamber window, saw
her husband, with a ghastly pretense of care, lead young Raffaele
Muti down the hill into the darkness from which there came never a
sound. It was midnight when Lapo Cercamorte rëentered the castle,
and called for food and drink.
Now the shadow over the Big Hornets' Nest obscured even the glare of
the summer sun. No winsome illusion of nature's could brighten this
little world that had at last turned quite sinister. In the air that
Madonna Gemma breathed was always a chill of horror. At night the
thick walls seemed to sweat with it, and the silence was like a great
hand pressed across a mouth struggling to give vent to a scream.
At dinner in the hall she ate nothing, but drank her wine as though
burning with a fever. Sometimes, when the stillness had become
portentous, Lapo rolled up his sleeves, inspected his scarred,
swarthy arms, and mumbled, with the grin of a man stretched on the
rack:
"Ah, Father and Son! if only one had a skin as soft, white, and
delicate as a girl's!"
At this Madonna Gemma left the table.
Once more her brow became bleaker than a winter mountain; her eyes
were haggard from nightmares; she trembled at every sound. Pacing
her bower, interminably she asked herself one question. And at last,
when Lapo would have passed her on the stairs, she hurled into his
face:
"What did you do to Raffaele Muti?"
He started, so little did he expect to hear her voice. His battered
countenance turned redder, as he noted that for the sake of the
other she was like an overstretched bow, almost breaking. Then a
pang stabbed him treacherously. Fearing that she might discern his
misery, he turned back, leaving her limp against the wall.
Public-domain text, read in full here on John Shaqi.
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