American fiction -- 20th century; Short stories, American -- Periodicals
Her question staggered me, for she was clearly bent on seeking out
Leavitt at once. A strange calmness overlay her. She paid no heed to
Lakalatcha's gigantic, smoke-belching cone, but, with fingers
gripping the rail, scanned the forbidding and inscrutable forest,
behind which lay the answer to her torturing doubt.
I acceded to her wish without protest. Leavitt's bungalow lay a
quarter of a mile distant. There would be no difficulty in following
the path. I would have a boat put over at once, I announced in a
casual way which belied my real feelings, for I was beginning to
share some of her own secret tension at this night invasion of
Leavitt's haunts.
This feeling deepened within me as we drew near the shore. Leavitt's
failure to appear seemed sinister and enigmatic. I began to evolve a
fantastic image of him as I recalled his queer ways and his uncanny
tricks of speech. It was as if we were seeking out the presiding
deity of the island, who had assumed the guise of a Caliban holding
unearthly sway over its unnatural processes.
With Williams, the boatswain, carrying a lantern, we pushed into the
brush, following the choked trail that led to Leavitt's abode. But
the bungalow, when we had reached the clearing and could discern the
outlines of the building against the masses of the forest, was dark
and deserted. As we mounted the veranda, the loose boards creaked
hollowly under our tread; the doorway, from which depended a
tattered curtain of coarse burlap, gaped black and empty.
The lantern, lifted high in the boatswain's hand, cleft at a stroke
the darkness within. On the writing-table, cluttered with papers and
bits of volcanic rock, stood a bottle and half-empty glass. Things
lay about in lugubrious disorder, as if the place had been hurriedly
ransacked by a thief. Some of the geological specimens had tumbled
from the table to the floor, and stray sheets of Leavitt's
manuscripts lay under his chair. Leavitt's books, ranged on shelving
against the wall, alone seemed undisturbed. Upon the top of the
shelving stood two enormous stuffed birds, moldering and decrepit,
regarding the sudden illumination with unblinking, bead-like eyes.
Between them a small dancing faun in greenish bronze tripped a
Bacchic measure with head thrown back in a transport of derisive
laughter.
For a long moment the three of us faced the silent, disordered room,
in which the little bronze faun alone seemed alive, convulsed with
diabolical mirth at our entrance. Somehow it recalled to me
Leavitt's own cynical laugh. Suddenly Miss Stanleigh made toward the
photographs above the bookshelves.
"This is he," she said, taking up one of the faded prints.
"Yes--Leavitt," I answered.
"_Leavitt_?" Her fingers tightened upon the photograph. Then,
abruptly, it fell to the floor. "Yes, yes--of course." Her eyes
closed very slowly, as if an extreme weakness had seized her.
Public-domain text, read in full here on John Shaqi.
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