American fiction -- 20th century; Short stories, American -- Periodicals
"What on earth he wants to sit there for--away from all the other
children! He never plays. Look at him! Just sitting there--not moving.
How stupid!" exclaimed Miss Eva impatiently.
"I do declare, I believe he's fallen asleep," said Miss Nellie.
Freddy was not asleep. He had only to close his eyes and it would all
come back to him. Memories that he could not put into words,
sensations without definite thought, crowded in upon him. The
smell--the thick smell of grease paint, choking powder, dust, gas, old
walls, bodies, and breath, and sharp perfume; the sickening,
delicious, stale, enchanting, never-to-be-forgotten odour of the
theatre; the nerves' sudden tension at the cry of "Ov-a-chure"; their
tingling as the jaded music blares; the lift of the heart as the
curtain rises; the catch in the throat as Florette runs on to do her
turn.
Florette was a performer on the trapeze in vaudeville. Her figure was
perfect from the strenuous daily exercise. She was small, young, and a
shade too blonde. First she appeared in a sort of blue evening dress,
except that it was shorter even than a d butante's. She ran out
quickly from the wings, bowed excessively, smiled appealingly, and,
skipping over to the trapeze, seized the two iron rings that hung from
ropes. Lifting her own weight by the strength in her slender wrists,
she flung her legs upward and hooked her knees into the rings. Then
hanging head downward she swung back and forth; flung herself upright
again, sat and swung; climbed to the topmost bar of the trapeze and
hung down again. Her partner ran on and repeated her monkeylike
manoeuvres. Then Florette held his hands while he swung upside down,
he held Florette while she swung upside down. They turned head over
heels, over and over each other, up and down, catching and slipping,
and adjusting their balance, in time to gay tunes.
Sometimes the audience clapped. Sometimes they were too familiar with
their kind of flirtation with death to clap. Then Florette and her
partner would invent something a little more daring. They would learn
to balance themselves on chairs tilted on two legs on the trapeze, or
Florette would hang by only one hand, or she would support her partner
by a strap held in her teeth. Sometimes Florette's risks were great
enough to thrill the audience with the thought of death.
The thought of a slip, broken bones, delighted the safe people in
comfortable chairs. They laughed. Florette laughed, too, for Freddy
was waiting in the wings.
There were mothers in the audience who cooked and mended, swept and
dusted, ran up and down innumerable stairs, washed greasy dishes, wore
ugly house dresses, slaved and scolded and got chapped hands, all for
their children. Florette, always dainty and pretty, had nothing to do
but airily, gracefully swing, and smile. Other mothers spent their
lives for their little boys. Florette only risked hers twice a day.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account