American fiction -- 20th century; Short stories, American -- Periodicals
The coffeepot on this particular day chose to boil. They rattled
merrily out of Frederick and off into the higher hills beyond. It was
a little after noon when they reached the farm.
They had had to turn off the pike and take a winding wood road, rough
and muddy from the spring rains. All through the budding green of the
trees dogwood had hung out white bridal garlands for them, and there
were violets in all the little mossy hollows. At last they came
through to the clearing, where lay the farm, right on the ridge, its
fields smiling in the sun, a truce of Nature with man's energy and
persistence. Yet not a final truce. For all around, the woods crept up
to the open and thrust in tentative fingers--tiny pine trees, sprouts
and seedlings of hardwood, scraps of underbrush--all trying to gain a
foothold and even when cut and overturned by the sharp plough still
clinging tenaciously to their feeble rooting.
"It looks somehow," said Annie, vaguely understanding this, "as if the
trees and things were just waiting to climb over the walls."
"And that's what they are," said Wesley Dean. "The time I put in
grubbing! Well--let's go in and see Aunt Dolcey."
He had told her, coming out, that he was afraid she would find the
house sort of plain, but just the space of it delighted her. The rooms
were bare and square, whitewashed exquisitely, the furniture dark old
cherry and walnut of a style three generations past.
There were no blinds or curtains, and in the streaming sunlight Annie
could see that everything was clean and polished to the last flicker
of high light. Here and there were bits of colour--crimson and blue in
the rag carpet, golden brass candlesticks on the mantel, a red-beaded
mat on the table under the lamp, the lamp itself clear glass and
filled with red kerosene that happily repeated the tint of the mat. It
all pleased Annie, touching some hitherto untwanged chord of beauty in
her nature. And there was about it the unmistakable atmosphere of
home.
"Old-fashioned but sort of swell, too," she decided. "Looks kind of
like some of the parlours of those old houses on Charles Street that I
used to rubber into in the evenings when the lights were lit and
they'd forgot to put the blinds down."
She liked the impassive almost Egyptian face of Aunt Dolcey, too. The
old coloured woman had received her with a serious regard but
friendly.
"Mist' Wes, he stahtle me mighty frequen', but he nevah stahtle me
with no marryin' befo'," she said. "Honey, it'll be mighty nice to
have a pret' young gal in de house. I'll serve you de bes' I kin,
faithful an' stiddy, like I always serve him. Ef I'd 'a' known you was
a-comin' I'd sho' had somethin' fo' dinneh to-day besides greens an'
po'k, cracklin' pone an' apple dumplin's. That's nuffin' fo' a weddin'
dinneh."
Public-domain text, read in full here on John Shaqi.
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