American fiction -- 20th century; Short stories, American -- Periodicals
The Big Chap looked up from his easel by the window. His gray eyes
kindled into a kindly smile, its welcoming effect offset by an
admonitory headshake. "Not now, Son," he said. "I'm busy."
"Can't I stay a little while, Daddy?" The sturdy little legs carried
their owner across the floor as he spoke. "I'll be quiet, like--like I
was asleep."
The Big Chap hesitated, looking first at his canvas and then at the
small replica of himself standing before him.
"I got on my new pants," the youngster was saying, conversationally
easing the embarrassment of a possible capitulation. "Mummy says I
ought to be proud of them, and because I'm five years old."
The artist looked gravely down at him. "Proud, Son?" he asked, in the
peculiar way he had of reasoning with the Little Chap. "Have you
reached the age of five because of anything you have done? Or did you
acquire the trousers with money you earned?"
The Little Chap looked up at him questioningly. He had inherited his
father's wide gray eyes, and at present their expression was troubled.
Then, evidently seeking a more easily comprehended topic, his eyes
left his father's and sought the canvas on which was depicted a court
scene of mediaeval times. "Who is that, Daddy?" His small index finger
pointed to the most prominent figure in the painting.
His father continued to regard him thoughtfully. "One of England's
proud kings, Son."
"And what did _he_ do to be proud of?" came quickly from the youthful
inquisitioner.
A hearty laugh escaped the artist. "Bully for you, Son! That's a
poser! Aside from taxing the poor and having enemies beheaded, I'm
puzzled to know what he really did do to earn his high position."
The Little Chap squirmed himself between his father's knees and
started to scale the heights to his lap, where he finally settled down
with a sigh of comfort. "Tell me a story about him," he said eagerly.
"A story with castles, 'n' wars, 'n' everything."
The artist's gaze rested on the kingly figure in the picture, then
wandered away to the window through which he seemed to lose himself in
scenes of a far-distant time.
"I'll tell you a story, Son," he began, slowly and ruminatingly, "of
how Loyalty and Service stormed the Stronghold of Honour and
Splendour. This proud king you see in the picture lived part of the
time in the great castle of Windsor, and the balance of the year in
Saint James's Palace in London."
"It must have cost him a lot for rent," wisely interpolated the Little
Chap.
"No, the people paid the rent, Son. Some of them were glad to do it,
for they looked upon their king as a superior being. Among this class
of loyal subjects was an old hatter, very poor and humble."
"What was his name?" asked the Little Chap, apparently greatly
interested.
"He had no name. People in those olden days were known by their trade
or calling. So he was simply called 'the hatter'."
"And did he make nice hats?"
Public-domain text, read in full here on John Shaqi.
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