American fiction -- 20th century; Short stories, American -- Periodicals
The air became thick with noise and odours and the sidewalks swayed
with people. Great Taylor slowly rounded a familiar corner, slackened
the momentum of the junk-cart, and brought up squarely against the
curb. Dragging the wheels, she gained the sidewalk and, beyond, the
rims of the cart cut into soft earth. She crossed the vacant lot. A
city's supercilious moon alone gave its half-light to the junkyard of
Grit and here the woman unloaded the cart, carrying heavy unyielding
things against her breast. She did not linger. She was trembling from
fatigue and from emotions even more novel to her. She closed the gate
without looking back at the weird crêpe-like shadows that draped
themselves among the moonlit piles of twisted things. Nearing the
corner, she glanced with dull eyes at a glaring red sign: "Dancing."
Voices, laughter, and music after a kind came from the doorway, A man
was singing. Great Taylor recognized the voice but did not pause. She
was not to see the man from just around the corner again for many
years.
Hurrying, without knowing why she hurried, Nell climbed the circular
iron staircase up through parallels of odorous gloom and, entering her
flat, closed the door and quickly locked it against the world
outside--the toil, the bickering, the sneers, the insults and curses
flung from alley gates and down upon her in the traffic of the Devil's
Own city. She closed her eyes and took a long deep breath almost like
a sigh. She was home. It was good to be home, but she lacked the words
and was far too weary to express her emotions.
Lighting the gas she sank into a chair. What did it matter if the gas
was screeching? She drooped there, hands in her lap, wrists crossed,
palms turned upward and fingers curled stiffly like claws--from
holding to the jarring handle of the junk-cart.
Presently she raised her eyes and glanced across at the shelf with its
row of tin boxes marked "Bread," "Coffee," "Sugar." On the next shelf
was Grit's molasses jug. She arose and fumbled behind this, but
nothing was there--Grit's Bible was gone. Then she remembered, and
striking a match placed her cheek to the floor and found the grimy
book beneath the stationary washtubs. "Stone wall," she murmured,
"Grit was a stone wall." At the mantelpiece she caught a glimpse of
herself in the cracked little mirror, but she was too weary to care
what she looked like, too weary to notice that her hair was matted,
that grime and smudges made hollows in her cheeks, and that even her
nose seemed crooked.
She sank again into the chair beneath the screeching gas-jet. "Grit,"
she repeated dully, "was a stone wall." And between very honest,
tired, and lonely tears she began slowly to spell out the words of the
coverless book, having gained within the past few hours some
understanding of what it means in the battle of life to draw the sword
and throw away the scabbard.
Public-domain text, read in full here on John Shaqi.
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