American fiction -- 20th century; Short stories, American -- Periodicals
“All good wishes to you from myself and the Staff.
“Sincerely yours,
“ELIOT A. RODGERS,
“_Curator of Ornithology_.”
Mather folded the letter thoughtfully and thrust it into the pocket of
his flannel shirt. With the buttoning down of the flap he seemed to
dismiss his irritation and become again the seasoned museum collector,
taking each task as it comes and subjugating all personal desires to the
duties of his calling. As he turned again to the half-skinned bird
before him he summoned his Indian guide and general assistant in the
terse Spanish fashion, “Pedro--_ven aquí!_”
“_Ahora sí, patrón_,” sing-songed the Quichua from the cooking lean-to
near by. “_Yo no más!_” In a moment he stood before the white man, a
squat, stolid figure with the humble eyes of a whipped dog.
Mather snipped the wing bones of the bird close to the body and stripped
the skin down the neck and over the skull to the eyes, turning it inside
out skilfully. A few crunching clips with his scissors separated head
from neck and exposed the base of the brain. He set the raw body aside
and commenced scooping out the clotted, grayish matter from the interior
of the skull.
As he worked he spoke pointedly. “You know Chuquipata, Pedro?”
A grunt and nod signified the Indian’s assent. In the presence of the
American his words were customarily few, a reticence inspired not so
much by awe of his employer as by inherited fear of the whites handed
down from the days of the first enslaving of his race by the Spanish
_conquistadores_ four centuries ago.
“Rough country, isn’t it? _Muchas quebradas--no?_”
Another affirmative, more vehement this time. Then, “You not go there,
_patrón_?”
Mather finished cleaning the birdskin, dusted its inner surface with
arsenic and alum powder to cure and preserve it, and turned it right
side out again.
“Yes, we go to Chuquipata in three days,” he answered as he shook the
ruffled feathers into place and began filling out the skin with cotton.
“You will go to the village to-morrow and get _cargadores_ to carry the
outfit. Four good men I will need, Pedro. Or, if you can find them, two
mules instead; pack animals are better than men, but there are not many
to be had. See what you can do.”
He dismissed the man with a wave of the hand, and tied an identifying
label to the crossed feet of his specimen. As carefully as if it were of
the most fragile and costly porcelain he wrapped the tiny green and
yellow effigy of the bird in cotton to hold it in shape until feathers
and skin should dry, and added it to the rows of similar mummies in the
tray of his collector’s trunk.
Public-domain text, read in full here on John Shaqi.
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