American fiction -- 20th century; Short stories, American -- Periodicals
“But,” he said at last, “I shall not know what to say to her, even if I
see her.”
“Say anything but the name of Fanny Max,” said well-posted Savillhac.
“She is beginning to attract attention, and you can understand what that
means to the Belletaille.”
“But----” said Ventrillon again. Ruefully he looked down at his own
baggy corduroys, his cracking shoes, his threadbare coat, and the rusty,
black felt hat he held in his hand. Then he considered the slimly clad,
gray-striped legs of the impeccable Savillhac, the glistening footgear,
the smart morning coat with a gardenia in its lapel, the shining top
hat. Savillhac was fashion itself, the embodiment in one person of _tout
Paris_. Ventrillon reflected.
“My prize has brought me three hundred francs,” he said. “Take me to
your tailor. But I refuse to wear one of those hats. I should be
assaulted in the Boulevard du Montparnasse.”
For it was not until he had seen his image in the plate glass of the
shop window that his head was completely turned.
THIRD REFLECTION
In the Métro station of the Étoile, Ventrillon dusted his patent-leather
shoes with his pocket handkerchief, shot his cuffs, tilted the hat of
eight reflections to its most killing angle, and then sallied forth
into the Avenue Victor-Hugo. Unfortunately, custom would not permit his
wearing the hat in the salon of Mme. Sutrin. As he reluctantly
surrendered it at the entrance his ears were assailed by an incredible
noise, which increased in discordant violence as he neared the door of
the salon.
The large room was crowded. The shining faces of a group of perspiring
American blacks grinned with yellow teeth and rolled their white
eyeballs above a variety of strange instruments that the Negroes were
tormenting with wild, angular abandon of elbows and knees. To the
barbarous compulsion of the bizarre rhythm a number of couples were
moving about the floor, poising and posturing with the curious exotic
dignity of the Parisian fox trot. In fashionable dishevelment
smiling-eyed ladies sat about on chairs and ottomans, drinking tea; and
miraculously tailored gentlemen of figures ranging from the concave to
the convex stood balancing teacups in saucers.
The grace of his embarrassment fulfilling somehow the perfection of his
garments, Ventrillon made an exquisite figure against the futurist
splendour of Mme. Sutrin’s flamingo and purple portières. She saw him
standing overwhelmed in the doorway, uttered a hoarse little shriek of
delight and, in her tight gown of magenta velvet rushed with a sort of
oscillating precipitation to take his hands. Names of the mighty poured
into his ears as she introduced him at random to everybody within reach.
But he was not long abashed. He was never long abashed. And, besides, to
any man, as a wise American has said, the consciousness that he is well
dressed is a consolation greater even than the consolations of religion.
Public-domain text, read in full here on John Shaqi.
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