American fiction -- 20th century; Short stories, American -- Periodicals
“Tell me,” she demanded hungrily, “it is true that this portrait is
great, is it not? It is something incredible, it is an amazing portrait,
it is true that it will startle them, is it not?”
“Mademoiselle,” said Ventrillon, “have I not said that it startles even
me?”
“Ah,” murmured the Belletaille, reassured, “then to-morrow! To-morrow! I
will not look. I could not recapture the emotion. I must give them that
emotion to-morrow! To-morrow at Volland’s! Let me kiss you upon your
forehead--like a mother.”
Ventrillon had not fully realized that no more than a single day lay
between him and his triumph. Thus far, to _tout Paris_, he had been only
a protégé of the Belletaille. That in itself was no small distinction.
But within twenty-four hours, to-morrow, to-morrow at Volland’s, he
would be Ventrillon, the most celebrated portrait-painter in Paris. As
the Belletaille pressed her painted lips to his forehead, the
remunerative applause of _tout Paris_ already resounded in his youthful
ears. His heart began to beat faster, and his blood throbbed in his
temples.
“To-morrow!” he said, with eyes like stars. “To-morrow at Volland’s!”
SIXTH REFLECTION
Ventrillon brushed the hat of eight reflections until it shone again. He
had eaten no luncheon, and was compelled to walk all the way, but he had
become accustomed to both these facts. Besides, from under the gay
awnings of the cafés along the boulevards people pointed him out to one
another as he passed, and that was a compensation. As he neared the
doorway of Volland’s his heart was beginning to swell in his chest, and
his head was growing dizzy beneath the refulgent hat.
To the point of discomfort the great exhibition salon was packed with
_tout Paris_. Volland shoved his way about amid richly dressed
shoulders, beaming upon them with his little pig-like eyes, and tugging
at his goatee with joy. Luminous with electric light, and the only
ornament of the barren gray expanse of his walls, the portrait dominated
the hall. It was a tremendous success. Not only was it the portrait of
the most conspicuous figure in Paris, but the brilliancy of colour and
design was sensational. On every hand one heard: “Superb! Magnificent!
One expects her to speak!” The crowd, already too closely pressed,
increased, but nobody left the salon; for _tout Paris_ was waiting for a
still greater sensation. The morning papers had announced that the
Belletaille would arrive that afternoon to look upon her portrait for
the first time. The Belletaille had seen to that.
A new enthusiasm developed near the door and spread rapidly through the
entire assembly. “It is she herself!” they whispered, and made way for
her. It was the Belletaille. She was entering.
She advanced to within a few yards of the portrait and halted for a
magnificent moment, confronting her painted self.
A young girl whispered excitedly:
Public-domain text, read in full here on John Shaqi.
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