American fiction -- 20th century; Short stories, American -- Periodicals
Alyse yawned and her thoughts came back from her novel about Russia as
her eyes fastened themselves on the chiffon stocking her mother was
carefully mending.
“Really, Mother, it’s ridiculous the way Mildred dresses. And ought she
to go out every night? When I was sixteen I didn’t want to do anything
but read.”
Her mother smiled and sighed.
“I wish to goodness Milly would sit down at home with a book. But she
says life is so much more exciting than books. She told me the other day
that she had to live her own life.”
“Life!” Alyse laughed scornfully. “That baby!”
* * * * *
It was at about this moment and several miles farther downtown in a
dancing place called Poppy Gardens that Mildred, the baby, was on the
verge of learning something about life. She was also being called an
infant, but in quite a different tone.
“I’d jus’ soon tell the world,” said Dion Delanoy, holding her closer,
“that you’re some little dancer, baby.”
And at the half-lazy, half-insolent caress in his voice, Milly thrilled
with rapture and with discomfort. But it was very queer--there seemed to
be two of her. One was intoxicated with delight and wonder, and the
other held herself cool and aloof and, looking on, curled her lip.
Overhead in the ceiling electric bulbs were stuck like pins in a
cushion. When you tilted your head back so that your cheek touched your
partner’s shoulder, all these lights reeled and swam after you around
the room, and the floor undulated in long flat waves. When you floated
through the green spotlight, Dion Delanoy’s eyes, like large shoe
buttons in an ordinary light, became queer and sinister. When at the
other end of the room the red spotlight washed over you, his pale dusky
skin with the blue tinge from shaving had a bloom like an exotic fruit,
and he became beautiful; he became what she had come out to meet, a
romantic hero.
And she had reached that brief, glamorous season when there must be a
hero to worship or one goes hungry and thirsty. When she had seen him in
a bullfighter’s costume with the footlights performing their nightly
miracle with him, her hunger had fed itself upon him. Jane Tremont had
been almost as bad, but it was her note he had answered, and she alone
whom he had invited to meet him in the Peacock Alley of a Broadway
hotel. It was Fate, his choosing her and not Jane, and it could only
mean that they were meant for each other.
Having only just begun to learn about life, Milly didn’t suspect that
the trysting spot Delanoy had chosen could be neatly overlooked from a
balcony, and standing here, he could scrutinize his latest conquest and
decide whether or not he cared to keep the appointment. He had been a
bit taken aback by Milly’s youth, but it happened to be a dull evening.
And besides, in the dressing room, heavy with the odour of stale powder,
Milly had used a forbidden lipstick. He could not possibly know that in
spite of her desirous lips her heart was pounding with fright.
Public-domain text, read in full here on John Shaqi.
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