American fiction -- 20th century; Short stories, American -- Periodicals
The young Frenchman began to twit her amorously. Seen from behind, she
was attractive enough, with firm white neck upon which strayed ringlets
of her yellow hair. He rose, he stooped, he was near her. “_Allons_,
Madelon, my lass--a little kiss. Just one small one, there where thy
hair makes shadow!”
At another time probably she would not have been displeased: it was so
seldom a man mistook and made love to her. But, somehow, the American’s
being here made a difference. Somehow, this was not the way she wished
to be seen by the American. She turned toward her gay persecutor the
mask of her face--usually this was enough. But this time, perhaps
because of the wine, or because of the frolic in his veins at the
thought of his leave from Death’s incessant haunting, or merely because
the flame of the fire left her in shadow, the boy did not quit, but
rather increased his half-mocking demonstration of a half-assumed order,
and finally, unconsciously, she turned to the other the eyes of one
harassed. He sat there at ease, half smiling, but immediate
communication leaped to him from her. “Come,” he cried, “Pierre! Quit
this--you’re an utter nuisance!”
And smiling at her, he added, enunciating very slowly and carefully:
“One must pardon him, mademoiselle: he is a little _saoul, vous savez_.”
The contrast between his scrupulous manner and his use of that word
“saoul,” supposed to be uttered only by such low-class people as she,
and not by gentlemen like him; the funny mewing drawl of his “voo-oo-ah
saaav-ez”; and something so simple about him--these things suddenly
created in her a tender delight, and she broke out laughing. He joined
in, laughing at himself; the other joined in: all three were laughing.
The young Frenchman, content with himself, and rather glad to have been
stopped, let her be.
But then, after they had laughed, there was no more reason for staying.
The fire was now drawing finely; everything about the room was in order;
the two friends, in their chairs, were lighting their pipes. Célestine
tiptoed out and closed the door.
She was out in the dark cold hall once more, all alone. But something of
them was there. Their boots. They stood at the door, two pairs of them;
one pair standing up stiff, as if at attention, the other pair careened
over, as if tired. She gathered them up to her bosom, and took them up
to her room to clean them.
By the light of the candle, reflected in her cracked mirror, she looked
at them long after she had set them up on her washstand. One pair was
light, of fine leather moulded to slender leg, and just a little fussy
with many hooks; the other two were heavy and honest, and with enormous
feet--ah, enormous!
She held the boots up before her eyes to realize fully the enormity of
those feet, and laughed delightedly--then passed her hands over them in
caress.
She now set to work and scrubbed and polished with adoration till late
into the night.
Public-domain text, read in full here on John Shaqi.
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