American fiction -- 20th century; Short stories, American -- Periodicals
The club had not been doing well for the last few weeks. Even Bennie
Bernstein’s saucy music did not hold the crowds. The reason, of course,
was that another man was in Hal Levering’s place.
Constance Corthwaite listened to one of his colourless offerings, and
then called him to her table.
“Where,” she asked, “is Hal Levering? Isn’t he going to be here
to-night?”
“Nope, he’s left for good.”
“Really, how disappointing! Where has he gone?”
“Say, lady, you’ll never believe me when I tell you; it’s the funniest
thing you ever heard! You know the money he was getting here--fifteen
hundred a week and a rake-off, and he part owner at that----”
“Really?”
“Sure. Well, he came in here one day, nobody expecting it at all, and
told ’em he was through--just like that. Through. Told ’em he was going
back and be a real Jew, going to give his talent to his people. Can you
beat it? They thought he had gone crazy, of course. Fifteen hundred a
week and a rake-off--and do you know what he’s done?” The objectionable
young man paused dramatically. “Say, he’s studying to be a cantor in a
synagogue--can you beat that?--can you?”
* * * * *
It was a year and more before the Club Levering saw its part owner
again. A variety of rumours had floated along Broadway--Levering had
gone abroad to study, he had taken a position in a synagogue, he was
composing highbrow music--but soon the rumours died away, and all that
was left of Levering at his old stamping ground was the flashing red
and green sign of the club. Business had fallen off; new places had
each in turn engaged the fickle attentions of the city’s night-lovers,
and the Club Levering was patronized by only a few stragglers. And then
the management decided to make one more bid for popular favour with a
new revue.
Bennie Bernstein laboured at his piano just as he had the afternoon of
Levering’s greatest triumph a year before, but the other performers
were new. No one now tried to fill Hal’s shoes; they had to depend on
a speeding chorus to cover up a palpable lack. And as Bennie sweated
to get the rehearsal into full swing, the service door opened and a
familiar voice sang out: “Hel-lo, Bennie, how’ve you been? Making the
grade O. K., huh?” It was Hal Levering.
“My--God--Hal!” and Bennie leaped from his stool and seized Levering by
the shoulders. The other performers gathered around, and to Hal again
was given the once so sweet chorus of praise.
“Cut it out--cut it out. Let’s get to work here. We gotta give ’em
something to knock ’em off their chairs!”
Bennie looked at Levering in astonishment. Was he really coming back?
It was too good to be true, but here he was, and Bennie ran over to
the piano joyfully. His nimble fingers flew up and down the keyboard,
and then, triumphantly, he hammered out the first bars of “Abie’s an
Irisher Now.” Levering, who had been chatting with the chef, who had
come running from the kitchen, whirled about with a white face.
Public-domain text, read in full here on John Shaqi.
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