American fiction -- 20th century; Short stories, American -- Periodicals
The whole point about George Sand was that she would have got nowhere
if she had been content to be a home girl. The fact that she was
a descendant of kings and that a grisette gave birth to her in an
alcove adjoining a ballroom wouldn’t have availed her much had she not
answered when Paris called. She could have stayed down in the country,
being a dutiful wife to Casimir Dudevant until kingdom come and that
would have been all there was to it--no Latin Quarter to be free in, no
salons to dominate, no editors to cajole, no poet to be adored by--and
what woman doesn’t dream of being adored by one of the shallow ethereal
creatures? Then, too, George Sand had a sense of values. It would be
more interesting to coddle Chopin on an island than to keep Maurice and
Solange tidy at Nohant; so she up and had the courage of her romantic
convictions.
Just as the dawn was turning the blurred square of her window to rose
Matilda decided what she would do. She would go to a city, Chicago,
perhaps; change her name to Mathilde Lantier, and open a salon. She
might even write when she had lived long enough to have a viewpoint
about her lovers. In the meantime she would make a collection of bon
mots. To hear her one would think that opening a salon in Chicago was
as simple as setting up a millinery shop on Main Street at home.
The next day Matilda went about the detested store in a daze of
intrepid graciousness, and so hypnotized was she by her borrowed
boldness that she verily believed she was bringing something to pass.
When the school children trooped in at noon she tossed lemon drops
across the counter as if they were largesse. She sold farmhand overalls
with the charming condescension of a princess. A notoriously stingy old
fellow who “batched it” in a tumbledown cottage across the tracks came
in and bought china recklessly because Matilda’s way among the chipped
dusty cups was that of a hostess tendering a senator tea.
At six o’clock that evening it was her father who swung open the door
she dreamed of.
The four of them were at supper. The fat, hairy mother headed the
board like a pink general whose idea of relaxation is being as plump
as possible in a flowered wrapper. Her handsome son Fred sat there
glorying sullenly in a prowess which enabled him to juggle night
into day and make sibyls, sheriffs, virgins, and hoboes stand in awe
of him or succumb, as the case might be. There was Matilda herself,
hollow-eyed, brooding, with a heritage in her breast clamouring to be
aired and a book upstairs which was making her poignantly sure that
at last she had found a way up the hill. At the foot of everything
sat Franz, the grocer, who clung to the tangled faded ends of dreams
with the same kind of shamefaced pride that he clung to the last faint
fringe of his hair. He was gumptionless and meant too well for his own
good, but it was he who spoke.
“I’m thinkin’ of puttin’ in a line of fancy glassware and some
electrical stuff. We gotta be more modern.”
Public-domain text, read in full here on John Shaqi.
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