American fiction -- 20th century; Short stories, American -- Periodicals
Mrs. Brady relocked the cupboard door, fumbled her keyring over, and
unlocked a capacious drawer of the dressing table. She spread a fresh
towel on the plate-glass top, in the geometrical centre, and upon the
towel she arranged with care a procession of things fished from the
drawer. Things for the hair. Things for the complexion. Things for the
eyes, the lashes, the brows, the lips, and the finger nails. Things in
boxes and things in jars and things in tubes and tins. Also, an ash
tray, matches, pins, a tiny sewing kit, a pair of scissors. Last of
all, a hand-printed sign, a nudging sort of sign:
NOTICE!
These articles, placed here for your convenience, are the property of
the _maid_.
And directly beneath the sign, propping it up against the
looking-glass, a china saucer, in which Mrs. Brady now slyly laid decoy
money: two quarters and two dimes, in four-leaf-clover formation.
Another drawer of the dressing table yielded a bottle of bromo seltzer,
a bottle of aromatic spirits of ammonia, a tin of sodium bicarbonate,
and a teaspoon. These were lined up on a shelf above the couch.
Mrs. Brady was now ready for anything. And (from the grim, thin pucker
of her mouth) expecting it.
Music came to her ears. Rather, the beat of music, muffled, rhythmic,
remote. _Umpa-um, umpa-um, umpa-um-umm_--Mr. “Fiddle” Baer and his
band, hard at work on the first foxtrot of the night. It was teasing,
foot-tapping music; but the large solemn feet of Mrs. Brady were still.
She sat on the couch and opened her newspaper; and for some moments
she read uninterruptedly, with special attention to the murders, the
divorces, the breaches of promise, the funnies.
Then the door swung inward, admitting a blast of Mr. “Fiddle” Baer’s
best, a whiff of perfume, and a girl.
Mrs. Brady put her paper away.
The girl was _petite_ and darkly beautiful; wrapped in fur and mounted
on tall jewelled heels. She entered humming the ragtime song the
orchestra was playing, and while she stood near the dressing table,
stripping off her gloves, she continued to hum it softly to herself:
“Oh, I know my baby loves me,
I can tell my baby loves me.”
Here the dark little girl got the left glove off, and Mrs. Brady
glimpsed a platinum wedding ring.
“’Cause there ain’t no maybe
In my baby’s
Eyes.”
The right glove came off. The dark little girl sat down in one of the
chairs that faced the dressing table. She doffed her wrap, casting it
carelessly over the chair back. It had a cloth-of-gold lining, and
“Paris” was embroidered in curlicues on the label. Mrs. Brady hovered
solicitously near.
Public-domain text, read in full here on John Shaqi.
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